I’ve seen a lot of this “Three Goggles” gesturing going on during the NBA Playoffs, and it got me to wondering the origins of it all. Come to think of it, what other physical shows of ecstasy have we seen throughout basketball history? After all, amazing happens when athletes make us identify with their personalities with creative visual celebrations.
So here it is: a rundown of some of the more memorable moves in basketball, many of which helped define their inventors.
The Three Goggles
Started by the Portland Trail Blazers after Rudy Fernandez‘s long-range vision became suspect, the Three Goggles have made waves across the basketball world in the past few months.
According to The Wall Street Journal, “To make the gesture, players form the ‘A-OK’ sign over both eyes to form ‘goggles’ with their thumbs and forefingers, and (to denote the change in the score) stick the other three fingers up in the air.”
The Three Goggles may be flashed upon hitting a three-pointer, but is generally reserved for important, game-changing bombs. In addition to the attitude-enhancement and swag one assumes when wearing them, it’s permissible to don them at any time if wearing them aides in shooting with better vision.
The John Wall Dance
This dance likely became popular because of its simplicity and versatility. The John Wall Dance can be conveyed my simply flexing the bicep – as if showing your “guns” – and rotating the wrist inward and out while holding it in a right angle with the forearm.
As for versatility, the John Wall can be used in either a basketball or social situation. For example, one may use the John Wall Dance as did Wall in its conception, riling up his teammates after the starting lineup introductions.
In everyday life, it may be appropriate when getting your favorite professional athlete to retweet you. Or after a successful hunt.
The ‘Toine Shimmy
Antoine Walker might be broke, but his showmanship as a basketball player will never be forgotten. And at the center of it all was his shimmy.
The shimmy consists of putting one’s arms out to the side and doing a slight shoulder shake while leaning backward, almost as if doing the limbo. For an extra oomph, Walker often added some not-too-subtle spasms to the shimmy.
Particularly effective to pull out after an and one, the shimmy was great because of its lighthearted nature, which I think was especially refreshing considering all the unnecessary chest-pounding that we see in the NBA.