The Best And Worst Of WWE Hell In A Cell 2011

Pro Wrestling Editor
10.03.11 84 Comments

Welcome to the second pay-per-view in two weeks! I actually got to see this one, so before we begin:

– If you give his a read, please share it with everyone you have ever met. I’m not kidding. Show it to your ex-girlfriends, your high school teachers, people you see wandering around out front of the community college, homeless people. I’m looking to spread the word about these reports and can use every Facebook share and Retweet and Spotify Spotification you can muster. And no, I don’t have any idea what Spotify is or how it works.

– Also, I’d really appreciate it if you’d leave a comment after you’re done to let us know what you thought of the show or the report. If I can become enough of a voice for the voiceless, Jim Rome will start thinking I’m real and let me on his show.

– If you aren’t familiar with the Hell In A Cell concept, be sure to check out The Masked Man’s excellent Hell In A Cell preview over at Grantland. Also, bug him on the Internet so he’ll fill in for me on one of these reports one day. I can return the favor to him by filling in for Chuck Klosterman and remembering Ninja Turtles.

The Best and Worst of WWE Hell In A Cell is after the jump. Enjoy.

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Whoever made the creative decision to give the Hell In A Cell structure a villainous inner monologue about how it “brings out the worst” in WWE Superstars needs to either be fired or given a raise, I haven’t decided. “Welcome to the unforgiving confines of HELL, my wicked children of the night! I am a Godless structure, providing a wall a few feet away from ringside into which wrestlers may be thrown! No, not the security railing. I have holes in me! ABANDON HOPE ALL WHO ENTER ME and spend most of the match in the ring about ten feet away from me at all times! And nobody bleed!”

Full disclosure: getting thrown into a big wall of chain-link fencing doesn’t hurt that much. You’re just jumping face-first into an uncomfortable trampoline. The idea behind the chain cage, as I’ve learned repeatedly from a childhood of watching Ric Flair’s hair turn orange, is that sure, you can toss them into the cage, but you’ve got to keep their face there and cheese-grater it back and forth. The jagged piece of cage catch and slice the guy open. If you want to hurt somebody by throwing them into a cage wall, you’ve either got to throw them into where the mesh pieces meet, or use the cage with the blue bars.

Also, you can’t call this “The Devil’s Playground” when you have an Elimination Chamber DVD called “Satan’s Playground”. Maybe Hell in a Cell used to be where the Devil swung on swingsets but now rides the little horse on springs at the Elimination Chamber.

Best: Sheamus, Christian and Three Stars Worth Of Wrestling

A lot of reports I’ve read this morning say they were underwhelmed with Sheamus versus Christian, and I couldn’t disagree more. This was my favorite match on the show, for almost the same reason it underwhelmed — nothing stupid happened. It was two guys having a great wrestling match based on the characters, motivations and movesets they’ve been building over the last few months. I’m a huge sucker for basic “signature moves” being avoided or reversed, and it’s a big factor in helping me believe what I’m watching is real. If you’re Sheamus and you’re signed to wrestle Christian, wouldn’t you know that he’s going to drape you across the middle rope, jump over the top, land on the floor and punch you in the face? Wouldn’t you really be looking for that if your first real feud in WWE was against Goldust? Of course you would, and Sheamus avoided it here, pulling Christian up into his rope-tangle forearms, something Christian had avoided earlier. That’s really all I ask for when I sit down to watch a match: wrestlers wrestling in a way that makes sense. Like almost every Christian match since his return from Instant Classic exile (and most of the ones IN exile), I got what I asked for.

I’ll take something simple and effective like this, something that ends with both guys looking good but one guy actually f**king winning, over an Attention Deficit Disorder WWE-Style Main Event Brawl™ any day of the week, pending said brawl including Stone Cold Steve Austin but not including the Undertaker.

Worst: That Killswitch Set-Up Took Up 2 1/2 Hours Of This 3 Hour PPV

I don’t want to keep ragging on this, but Jesus, Christian, speed up that Killswitch process. Or do a Matt Hardy “swatting away farts” taunt while you’re waiting for them to get up so we can get prepared for the reversal. Third suggestion: hit the Killswitch once after doing the super slow turn-around like that, so we don’t subconsciously see it as wrestler code for “get ready to push me away”.

Best: Sheamus, White Ninja

I will never get tired of seeing Sheamus slumped in the corner, grabbing the top ropes with both hands and monkey-barring himself upside down and onto the top turnbuckle. Never. It’s like 2011’s Diamond Dallas Page Frankenstein attack, where he’d be dead in the corner and suddenly he’s up like Donatello pantomiming a clown punching bag in Secret Of The Ooze and grabbing you by the neck. Sheamus and Mark Henry are both awesome right now and work as engaging foils for each other because they aren’t doing viral videos to get over, they aren’t trying to organize tailgate parties, they’re playing up their strengths, downplaying their weaknesses and doing a few cool things in every match so people can remember them and smile when they do.

Long story short, if I was ten years old and this stark white 300-pound muscly ginger dude with Scotty 2 Hotty hair was doing gymnastics up the corner and shoulderblocking people from the top rope, I wouldn’t be sitting on my hands when I watched it.

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Best: What They’re Going For

Going back to that “if I were 10-years old” talking point, a mysterious, exciting guy in a mask having to do battle with his evil doppleganger is probably the coolest and best thing ever. Sin Cara II removed his blue mask to reveal a black one underneath. He comes out to a Boss Battle remix of the Sin Cara music. They do the same moves. How is this not amazing? This should be the very best thing happening in pro wrestling, period.

Worst: How They’re Going For It

If you told me two years ago that Mistico would be competing on a WWE pay-per-view and the fans would be chanting “boring”, I wouldn’t (and couldn’t) believe it. There are a lot of problems keeping this from being what it should be, and I’ve come up with a handful.

1. Lucha libre in Mexico is a different style of wrestling, and when I say “style” I don’t mean they do different moves and have different characters, I mean that it’s a completely different genre of pro wrestling. A lot of wrestling fans in the United States can’t get it through their heads that other interpretations of the Hulk Hogan and Steve Austin thing we cling to like a baby blanket exist, and that there is a world where selling doesn’t really matter. Nobody chants “you f**ked up” when somebody botches a spot, because the audience accepts that these guys are super heroes doing crazy sh*t and sometimes they aren’t going to land it. If WWE put a big Keystone Light logo in the middle of the ring, the Internet would berate them into unconsciousness and hashtag them to death until they changed it back. That’s not what happens in Mexico. When you have luchadores trying to add U.S. wrestling psychology to a very not-U.S. wrestling type of match-up, you shortchange lucha libre AND U.S. wrestling, and it comes out sounding like one of those country/rap efforts that sound good for a minute, but God, no.

2. Heel/face in the United States means “guy the fans like against guy the fans don’t”, and the reason fans don’t like the one guy is because he’s arrogant or cheats, or something. In Mexico, rudos and técnicos aren’t divided by “guy who cheats and guy who doesn’t”, they wrestle two very distinct styles. In WWE you’ve got Hunico playing Sin Cara 2, but he’s too big to be trying to match Mistico move-for-move. He’s not that guy. That’s why they’re messing up a lot. Sin Cara 2 should be wrestling a rougher, rudo style (like Averno, for example) to compliment Sin Cara 1 instead of detract from what makes him special. Hopefully they can move past the mirror image stuff now and get to some real rudo/técnico stuff, or Chico can come bumbling into frame as Sin Cara 3 and give us a punchline.

3. WWE fans and announcers don’t know what to look for. For example, Sin Cara went for an Asai moonsault and missed it. Michael Cole responds with “moonsault off the second rope, nobody home” and JR agrees with him. On the Internet you read that it was “botched in hilarious fashion” or whatever. That’s not what happened. THIS is what happened:

It’s a great spot, and it was missed and glossed over completely by the people watching, partially because Sin Cara 2 is jet black and lying down in blue and orange mood lighting. He didn’t get all of it (again, because he’s not Averno), but he got his foot up, and worst case scenario they could’ve just said “OH WOW SIN CARA 2 JUST KICKED HIM IN THE HEAD ON THE WAY DOWN” instead of “lol look at this f**kin guy”.

4. WWE fans are conditioned to remember everything WCW-related as being terrible and wrong, and mid-card junior heavyweight action featuring huge stars from around the world is an extremely WCW thing. You guys can pull “Vince Russo” and “fingerpoke of doom” and “bad nWo” all you want, but my twenty-ish years as an NWA and WCW fan put me in a crowd in front of The Great Muta, Jushin Thunder Liger, Akira Hokuto, CIMA before he was CIMA and Yuji f**king Nagata while you guys were cheering for goddamned Tugboat. You chant boring, but now you’re trained to only enjoy one kind of Not Boring.

5. Booker T is calling Hunico “Sin Cara Negro” and nobody seems to realize they’ve got a WWE Superstar named “Blackface”. I wish the movie Swing Time was sin cara negro.

Best: Booker T, Lucha Libre Historian

Speaking of Booker T, him referring to Sin Cara getting hit in the “mask area” is amazing. I want to see, like, Ted DiBiase get kicked in the face and have Booker refer to it as the “uh, mask area” and not be able to think of anything else to call it. His wonderful understanding of the human anatomy also gave us a brief reprieve from “boy” being his only available adjective. “SHEAMUS, SHEAMUS IS PUTTIN A WHIPPEN ON THAT BOY CHRISTIAN RIGHT NOW, AND THAT BOY CHRISTIAN NEED TO GET UP AND TAKE THE FIGHT RIGHT NOW TO THAT BOY SHEAMUS”. Maybe he just watched Kindergarten Cop and figured out the differences between boys and girls and has to make sure he’s clearly labeling them as he speaks.

Worst: Seriously Though, It’s Time To Kill The Mood Lighting

I cannot cheer for a wrestler whose ring ambiance would help Woody Allen get into the mood.

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