Here’s a task. Go to dictionary.com and look up the word “legend.” Scroll down to the second set of definitions and read the fourth entry aloud.
“A person whose fame or notoriety makes him a source of exaggerated or romanticized tales or exploits.”
Whether openly admitted or not, Lil Wayne fits that description. He has to. His obese and equally quirky catalog stretches as far back to the late 1990’s when names like Master P and Ja Rule roamed rap’s upper class. That inventory spans several albums, countless mixtapes, legions of features and an incoherent amount of random songs which have gone on to help define how the Internet era changed Hip Hop and how we receive music forever altogether. Still, like any artist, Lil Tunechi (or Young Tunafish) is known for his hit records and widely accepted anthems like “Go DJ” and his verse on Shawty Lo’s “They Know (Remix).” But what about the tracks which go under the radar either because of others’ mainstream magnetism or a general oversaturation of his own music? That’s what the following list is for.
In effort to pay homage to world’s greatest postseason tournament, “March Madness,” the following pages will depict a “Sweet 16,” per say, of Lil Wayne tracks that are, in all probability, collecting dust on your iTunes. So without further adieu, enjoy.
1. “Army Gunz”
Niggas talkin’ about me, but they ain’t talkin’ it at me
Cause if they talkin’ it at me then I’m just talkin’ to caskets
All that talkin’ is pussy, bitch you better make your words strong
Cause the shit gettin’ chiseled on your tombstone
Maybe it was the fact he was rhyming alongside Stunna, but Wayne seemed to decapitate almost every track on Like Father, Like Son. The overly aggressive “Stuntin’ Like My Daddy” and the molasses slow “Leather So Soft” are the easily recognizable numbers. Yet, it was his pistol play on “Army Gunz” that ranks as one of the understated high points on the entire project; especially the second verse.
2. “Mask On” – Boyz N Da Hood Feat. Lil Wayne
All at the crack spot with the gats out
Like ‘One of yall bastards better come up with some answers’
Or shit gon’ get crazy like Marilyn Mason
Leave your ass in the fridge like a mothafuckin’ sandwich
Hang ’em off the bridge let ’em know we mean business
If that don’t wake ’em up then he sleepin’ with the fishes
And we don’t really talk
We just eat, fuck and get high
Make money and kill and die
Question. Who actually remembers the time when Lil Wayne was said to be the newest member of Boyz N Da Hood? Crazy to believe it was six years ago, but it actually happened with Weezy even recording a handful songs with the group. Not many expected the partnership to last long, but there was potential in the brief union. “Mask On” is one of those tracks many have never heard or simply forgot about mainly because it had no official home. Who cares. Tunechi’s part was brief and placed in between Jody Breeze and Gorilla Zoe, but still managed to stick out. Wayne’s tough talk may not always be believable, but this was by far one of his finer moments doing so.
3. “Never Get It”
Everyday I’m hustlin’, fillin’ up my cup again
With that purple stuff again, I can’t get enough of it
Point me in the direction of a swisher and I’m stuffin’ it
With that purple stuff again, I’m on some same color shit
After you do Wayne, it’s time to do Wayne’s brothers bitch
I get money like a fuckin’ Wayans brother bitch
This happens to be a personal favorite. In 2008, the margin of error for Young Money’s HNIC was essentially nonexistent. His mixtpaes had more buzz than 85% of albums that dropped and his own LP, Tha Carter III, did something very few pieces of work have been able to accomplish – reach one million customers in a week’s time. That’s not to say C3 was without speed bumps. To this day, I’ve never figured out why this David Banner produced song failed to make the final cut. Let’s just chalk it up to an uncleared sample and keep it moving. No hook. No gimmicks. Simply put, Wayne was spitting his ass off.
4. “Laced Up” – Feat. Curren$y
All these hoes ain’t nothin but hoes
I got a few college bitches and a couple of pros
I cut em like cards, I just shuffle and fold
Got so many on my bag that my duffle is swole
In the long run, Weezy and Spitta going their separate ways was best for all parties involved. Both saw their individual careers reach new heights while being able to seeing those around them prosper. That’s not to say the two didn’t have their fair share memorable cuts together either. This sample heavy instrumental provided the perfect platform for the two self proclaimed lovers of the green plant with its own designated holiday to discuss one of their favorite topics – women. And that’s putting in a politically correct sense. Maybe in the future we will get to see them rekindle what the early Young Money days provided a sneak preview of.
5. “Lost Ones”
All I know of my real pops is that he had money
No bank account, that brown paper bag money
Yeah he might hit me off with a lil’ brag money
But the nigga still wouldn’t be a dad for me
But look how he turned out, I hope he glad for me
But that’s why when I see him I act mad funny
Cause he’s a joke to me
Don’t message, don’t call, don’t talk to me
It’s just me and my mama how it’s ‘posed to be
And I make sure she paid like she wrote for me
One of the main gripes about Mr. Carter over the years has been his lack of depth outside of hoes, money, cars and weed. Give the young man his props when it’s due though. Like most of us, Weezy’s been through some sh*t in his life and every so often he will offer a look into his past. Take Lilweeziana’s “Lost Ones,” for example. “Rabbit” has long been the man Wayne has referred to as his father. However, on said track, he takes some time to address the man who is actually half the reason he is here right now (amongst other issues). Just call him “Mama’s Boy Weezy.” And it’s not a damn thing wrong with that.
6. “Round Here (Freestyle)”
Call me Oxy-Weezy I’m in the chocalate tin like Foxy Breezy
Bungle up, saddle in, we headin’ straight to the top
And me not with the battling if it don’t make me box, wassup?
Mr. MC, you can take these props
While a nigga like me come and take Hip Hop
Wayne has gone through so many transition periods throughout his career that it is hard to document them all. In 2003 when The Prefix dropped, calling buddy Hip-Hop’s marquee act was not exactly the most accurate statement. However, for those who actually paid attention to the guy around this time, they knew something special was brewing. This tape – more specifically his embalming of Memphis Bleek’s hit – proved such beliefs. Look at the last line two bars. You can’t say Weezy didn’t always have confidence in himself.
7. “We Ready” – Lil Wayne & Gudda Gudda
You could still catch me and Stunna in a 4 door Lexus
It’s only Weezy Baby no more extras
And you know he bout to buy me a 4 door Testa’
Just cause he’s impressed with my solo effort
I show no care for, those who left us
Fuck those fellas, I’m so rebellious
It doesn’t take much effort to tell who he is talking about with those last two lines. The Sqad Up mixtapes are almost like urban legends these days. With so much work Wayne has put in the last five years alone, anything prior to that has all but been pushed to the backburner; even forgotten by some. During my high school days, however, this series was everything. “We Ready” in particular was played before football games, basketball games and could be heard blasting from cars leaving the student parking lot after school. No one could have predicted he would become a future Grammy winner, but at least around my way he had an underground classic long before the Dedication days. Come to think of it, was this string of tapes ever nominated for a Justo?
8. “Alphabet Bitches”
P for Paulina she go all night
If I don’t fuck her once a week she probably go on strike
And the Q is for Queen ’cause she is my queen
No she can’t ride it like Renauda but her body is mean
And the S is for Shayna a sucker in bed
She take advantage of the fact that I’m a sucker for head
Nothing, and I mean nothing, screams creativity like running through the alphabet in conjuction with all the women you have had sex with. That’s at least 26 under your belt right there. More so than the unique content of the song, how the idea came to fruition would be the more interesting take on the story. Pending these women are real – and given his job status, I would imagine them to be – this track probably stemmed from someone in the studio saying “I bet you can’t run through all the girls you fucked A-Z.” Pride is a mothaf*cka and thus the birth of this song.
Actually, to call a spade a spade, he forgot “X.” Twenty-five out of 26 isn’t bad though and I’d imagine that letter and “U” being the most difficult to secure. Plus, I’m sure he has a surplus of “S’s” or “M’s” to carry over anyway.
9. “Got ‘Em” – Yo Gotti Feat. Lil Wayne & Birdman
Money to be made best believe a nigga clockin’
I run it myself like a quarterback option
I pitch her 10 G’s tell the bitch to go shoppin’
She buy herself some clothes, and she brought me back a chopper
This takes me back. Two things you notice about the song: the ignorant amount of bass (that’s a good thing) and Weezy completely shredding his verse. I’m of the belief this record doesn’t get the credit it deserves, but that’s me being more subjective than objective. From a structure viewpoint, it was smart to allow Wayne to go first, but made it next to impossible for Gotti and Birdman to even capture the same energy Stunna Jr. did. That’s no slight to Memphis’ own because his verse was tough in its own right.
10. “I Ain’t Got Time”
I talk like a hustler, walk like a hustler
Stripper attitude, only money make me move
Dapper Dan status, I’m the Stunna part two
I got an image to uphold, and my image do too
I’m off the scrimmage line like Emmitt 2-2
Why would the quarterback give it to you?
There was a point in time when Wayne compilations were leaking almost weekly. Don’t get it confused either, these were not just .zip files of songs we had all heard before with a DJ attaching their name to it for the sake of gaining notoreity. They were filled with all new material! And from there, the legend of Wayne’s Tupacian work ethic was forever etched in Internet stone. Case in point Tha Carter 2.5. “I Ain’t Got Time” was Wayne assuming boss-status letting anyone who would listen know that money being on his mind wasn’t merely a charming slogan from a previous single. If a conversation didn’t involve dead presidents, chances are he wouldn’t hear a word you said.
11. “Beat Without Bass” – Freekey Zekey Feat. Lil Wayne & Jha Jha
Okay, my leather so soft but don’t think I ain’t hard
Bitch say Weezy make it rain, I say bitch I ain’t God
But I am God’s son, but you know I ain’t Nas
See, he got a positive aim, and I aim nines
Man, Lil’ Weezy got a style that even I can’t find
Man, some shit just be so hard, I be like that line ain’t mine
Remember during the little league football/basketball days there was always that one kid every parent would ask to see his birth certificate because he was either too big or too good to play in a certain age group? Well, the same thing sort of happened here. Wayne was the big bully and Freekey Zekey and Jha Jha had to sit there and look foolish while attempting to rap behind him. There’s a reason only Wayne’s verse is uploaded. No one can name one quotable from the other two. Not even anyone from Harlem. Look, Zeke is my dude and all, but he probably had the same expression – the “Really, n*gga?” face – Wale did when J. Cole laid his verse for “Beautiful Bliss.” It happens. Plus, that shot at Jay-Z was clever.
12. “Blowing Up Fast”
Thanks senorita we cannot go any further
If my girl catch us both in the spot she will merk us
Pussy niggas talkin all that slop we will merk cuz
Hungry ass niggas I tote two hamburgers
Who want beef? Who want beef?
I bring it to your front door and now you seem nervous
Grab a lighter, wave it side to side and listen to this song. Weezy’s admission that “murder ain’t funny, but we do love to laugh” even sounded hypnotic and comforting over this groovy, sample drenched record. Upon the time of The Suffix’s release, Wayne was already a star. However, knowing now what we didn’t know then, the title was eerily prophetic seeing as how he would go on to double his fame and influence in the years to follow.
13. “Fresh’s Blessing”
Few leaves left the soul tree standin’
Just as quick as the wind blew they went too
I’m in too deep
My roots go deeper then a spot where they body shall sleep
I probably shouldn’t speak like that, but it be like that
Never let a nigga with a knife see my back, yeah
I’m outta here, let me see my hat
And I rock it so low I can’t see where I’m at
Lil Wayne is the superstar. Minus the glitz, the glamor and the fast life lies Dwayne Michael Carter. Just a young man from New Orleans who had a gift from God which took him further than he or the 504 projects which raised him could have ever imagined. There were bumps and hurdles along the way, but all setbacks only created major comebacks from Cita’s pride and joy. “Fresh’s Blessing” was one of his most honest interpretations detailing this train of thought.
14. “Young’n Blues”
And all she ever wanted
Was for Young Weezy to love her
But all I ever wanted was to cum easy and dump her
But that didn’t come easy
‘Cause she ended up being my baby mother
And then I felt smothered but little did I know
I’d never find the same girl inside another
But I never thought that I’d be looking for her
Wayne’s history with women has been well documented. Given his star power, it would be easy to suspect that troubles with the opposite sex fall few and far between. That may be true in present day terms, but times weren’t always so easy. “Young’n Blues” – from 2002’s 500 Degreez – portrayed a Weezy that often found himself constantly on the wrong side of love. The first verse even transcribed how Toya came to be such an important person in his life – even if she wasn’t initially meant to be.