Before we get started with this week’s edition of the Guest and Worst of Raw, a couple notes to cover:
- To reiterate, the delightful Brandon is on vacation and has passed on the responsibility for this week’s recap to myself. Despite being a lifelong wrestling enthusiast, writer and most importantly, vegan, I’m fairly sure I was given this gig due to my ties to Kaiju Big Battel. Kaiju was a touring Vaudvillian show which combined the story structure and live performances of pro wrestling with the showy elements and characters of a Godzilla/Super Sentai movie. Sorta like Extremely Strange Wrestling if it was “watchable,” or Lucha VaVOOM with fewer whores.
- Although it doesn’t justify it’s own bullet point, my time with Kaiju was both as a writer and performer, most notably as the character of Dr. Cube through the majority of the Oughts. Yes, I’m a bit smaller than you think in person; Yes, I was also SuperWrong; and No, that was Chuck Taylor at that one Chikara show. MOVING ON!
- As always, comments are greatly appreciated as they’re a great metric for understanding what works and what doesn’t. That having been said, I should just be honest upfront and let you know that I’m terrified of criticism and will probably avoid the comments section for the next week like Mayweather avoids Pacquiao.
- (Full disclosure, that last sentence read “…like Julie Taymore avoids Gawker Media” until my girlfriend told be to change it to something “more accessible.” Brandon will be back next week, everybody!)
- I’d like to take a moment here to thank Casey Boyd and Andrew Johnson for their help with screen shots and art. Casey even Photoshop’d an image of Andrew “Test” Martin in a Polar Bear suit that I wish I’d gotten to use, but didn’t make the edit. Also, it should go without saying that I want to thank Brandon for the really great work he’s put into these columns. They’re hilarious, and I hope minimally to do right by this column while he’s away. Thanks for the opportunity, Brandon.
- Lastly, I’d like to apologize for the late post, but I’m West Coastin’ it, and was waiting for that Andrew “Test” Martin in a Polar Bear suit art to get back to me.
On to the show…
Worst: Oh Great, CM Punk
It’s not that CM Punk isn’t great on the mic, and it’s certainly not that I haven’t bought into what’s been going on the last couple months. Punk has been consistently the meat-and-potatoes of every episode of Raw for something like 12 straight weeks. The problem is no one wants eat the same thing for 3 months. Punk opening the show is starting to remind me of the days of Nitro when Tony Schiavone would start to tell you what was on tap for that night’s events, and as much as you were hoping for Super Calo and Ciclope and Silver King and… (looking it up) DAMIEN to come out and just do a solid curtain-jerk, the wah-wah of the nWo theme would crank up and you’d go back to doing your homework.
Listen man, everyone likes a well-cooked steak. But you gotta eat a salad every once in a while or you’re gonna get scurvy.
And if I have to watch another 3 months of Paul Burchill matches, I’m f**king done.
Worst: the Corporate Ladder of the WWE
It’s strange to give Spoiler Alerts for a recap of a show that you’ve either already seen, or that you’re reading this to get out of the due diligence of actually watching (my English professor just closed the webpage for this article in disgust, and then hung himself). After Punk came out and said he thought the head of the capital-C Conspiracy is someone higher than COO Triple H, my mind reeled. I actually turned to the people I was watching with and asked who could possibly be above a Chief Operating Officer. CEO? Chairman of the Board? President (more on that later)? Instead, we were treated to XVPTR John Laurenitas coming out in attempt to silence Punk and fire him. Maybe I’m just picking nits, but it’s this kinda mental lapse that takes me out of moments of general intrigue and makes me think that creative is leaning way too hard on a guy like Punk to improv his way through dialogue that they’re just trying to handwave through.
Best: the WWE’s (Classy) Version of a Murder Mystery
So Triple H doesn’t know what’s going on (just like the audience), but he does know that SOMEONE is responsible and SOMEONE is getting fired tonight. What intrigue! If Hercule Poirot only ended every case by hitting the murderer in the face with a sledgehammer, I think I might’ve made it all the way through 9th grade Lit.
Worst: 8 Guys Standing Around
Listen WWE, I’m not trying to tell you how to your jobs.
Wait, no, I AM trying to tell you how to do your jobs. People LIKE entrances, and they like to get hyped up for a match. Pro-wrestling entrances as a focus might be slightly trite, but it’s what sold me on everything from Chris Jericho to WoodMan’s stage on MegaMan II. To continue the steak analogy, sometimes you also need that sizzle. Or at least the A1.
You know what’s not exciting? Coming back from commercial to 8 guys, just standing around.
Best/Worst: Air Boom
I’m a massive homer and Dragon Gate mark, so may be cloyingly positive when it comes to Massachusetts-born Kofi Kingston and Evan “Brave Gate Champ” Bourne. I think they’re both good-to-great in the ring, even when held to the WWE’s style of wrestling and even though half their offense doesn’t make sense. That having been said, this will be the only time in my life when I’ll get a public forum to complain about the name “Air Boom,” and I’m gonna complain the sh*t out of it!
Don’t get me wrong: I like the matching tights, goofy smiles, and that DragonBall Z Fusion Dance-symmetrical thing they do at the top of the ramp; and I almost don’t mind that they don’t have a tandem-based finisher (because as a kid who watched wrestling through the 90s, the only thing that matters in wrestling is a pithily named Finishing Manuever™). But when it first became obvious that they were teaming the two of them up, my pun-obsessed brain became absolutely certain they were going to be called ‘Sonic Boom’. Ya know, like jetplanes breaking the sound barrier? Airplanes and ‘Boom!’ sounds, right? Right?!…
…And then you could have them wear matching camo pants, and make them come out to Guile’s music from Street Fighter 2, because ya know, the internet. You could even call the Bourne’s SSP “the Flash Kick,” and…and…
Alright, moving on…
Worst: No Alex Riley
Listen: I dislike Alex Riley as much as possible, which is to say as much as I could care about someone who doesn’t make me care about anything at all. And I could have a legitimate gripe to write about here: sticking Justin Gabriel on a show he doesn’t really belong on, when you could just as easily have put Riley in his place on a time and channel where he’s supposed to be getting recognized.
But, no, my real gripe is this: this is likely the only time I’ll be asked to write one of these articles and I wanted to do a good job. But living out on the West Coast puts me at a couple disadvantages in terms of time. Getting up early enough to finish this article requires being mindful that my 9 AM is already the East Coast’s noon.
So I cheated. I wrote a couple of pieces that I thought would fit in snugly based on what I assumed usually happens. The whole thing about Air Boom just above this? Yeah, that was at like 3 PM Monday afternoon.
So what happened? I write like 600 words on Alex Riley and that motherfu***r doesn’t even get booked.
The lesson, as always, is A-Ry for President.
Best: ADR Squashing Morrison
I’m throwing this one up as lip-service to Brandon whose love of Del Rio and hatred of Morrison was apparently so tangible, it was able to traverse the internet like a beautiful 4-D pretzel of kinetic inevitability and actually manifest itself as a complete burial. I like what they’re doing here with Del Rio, but this deserves as many words as it did time, so let’s move on to the real Honey Pot.
Best: Every Delectable Moment of the Hugh Jackman Segment
Since it’s probably not apparent yet, let me just say this was one of my favorite Raw’s since I started rewatching a few months ago. Tonight felt like everything was either a great segment of wrestling with kinda so-so plot development, or some really interesting character studies to go along with so-so wrestling. This is absolutely a formula I can get behind. I don’t need to be blown away with every segment, just don’t insult my intelligence and waste my time, ya know?
And honestly, if you’re gonna be a gross corporate shill-machine (WWE’s bread and butter), you really couldn’t ask much more from this segment featuring Vicky and Leopold. Vicky continues to be the best Heat inducer since War of the Worlds, Dolph is still Billy Zabka re-incarnate and Hugh Jackman managed to say that the difference between hosting the Oscars and hosting Raw was “the Oscars wasn’t in front of 15,000 screaming fans in Cleveland” with a totally straight face (which was the straightest thing he’s done in 15 years BAZIIIIIIIIIIIIING!).
Seriously, everyone was great in this, and it really highlighted that you can pick up some extra cash without lowering yourself if you put the right people in there.
Best: Ragging on the Losers in Cleveland
Somehow still funny. But…
Worst: “Just Like People Who Meet You, Losers Lose.”
Ziggler actually said this during his confrontation with Hugh Jackman. Oh Dolph. I expect so much more from you.
Best: The Logistics of Battling Your Doppelganger
I know this column has already been rife with nerdy/obscure LitCrit references, but I would be completely remiss if I said I wasn’t really hoping that when the 2 Sin Caras…s touched we would be treated to some sorta Time Cop/Blinovitch Time Effect and they’d both shriek out of existence in a ball of blinding light.
What we got instead was a teeny bit of good lucha, because it felt like they finally paired Mistico with someone who actually SPOKE HIS F*CKING LANGUAGE! I don’t just mean Spanish, I meant someone who’s actually spent time down in Mexico learning the trade. Indie style isn’t Lucha just like Llave isn’t PuroRes and the quicker people in WWE management learn this, the quicker they’ll find a solution to keeping a popular Mexican star on their roster without having all his matches look like a pile of garbled shit. Instead they seem content with sticking him in matches against Daniel Bryan or Evan Bourne and throwing their hands up in contempt when it doesn’t go smooth as virgin cream.
This isn’t a complaint. I’m looking forward to this storyline and match slightly more than I did Taker vs. Taker and just slightly less than Doug vs. Rigby.
Worst: Cody Rhodes
Literally, the people in charge of handing out custom fabricated paper bags, the people who fabricate the bags and the people in charge of moving and removing Sin Cara’s trampoline had more to do this week than Cody Rhodes. Rhodes is a talent with an an interesting gimmick and this isn’t how he should be used. I will however say that if the eventual loser of the Battle-to-Not-Have-a-Face ends with Sin Cara Dos having to wear a paper bag on his head like Spidey that one time when he split from 4 Freedom Plaza, I would cry in delight.
Disappointed, wistful delight.
Super Very Double Best: the Awesome Truth
Miz and R-Truth are on an absolute tear, and it feels like people aren’t noticing.
I write this aware that when CM Punk delivered his fourth-wall shredding promo 3 months ago, it genuinely changed perception about wrestling. I’ve tried to explain this to non-fans, and the best thing I could come up with was a rough analogy to comic books in the 80’s. I would tell people that when Alan Moore did Watchmen (of course) and Swamp Thing (more importantly), along with half a dozen other important guys thinking outside of the box, they were able to actually raise the public perception of the medium. Comics were seen as strictly kids stuff for decades, and now colleges teach courses with ‘Human Anatomy’ and ‘the Coyote Gospel’ as required reading. There exists, within the purview of Pro Wrestling, a means to elevate out of the muck and mire of being just for kids and idiots.
This is what that moment of cultural relevance that CM Punk received was about. And it’s a real shame that I see it rescinding just as quickly. Critics were quick to praise fourth-wall-breaking, but are missing the Miz and R-Truth elevating their performances within the context of just being WWE Superstars. Tonight, they delivered heartfelt, believable moments of remorse over their actions and fear about the consequences. It was good and engaging, and if I was a 10-year-old kid watching it, it’s the kind of stuff that would get me locked in for life. If the WWE isn’t capable of delivering reality the way that, say, the UFC can, they can deliver interesting and believable fiction the way that UFC can’t, specifically when they’re trying to convince me that Rashad Evans and Jon Jones really hate each other. This is the beauty of American pro wrestling, and sometimes I worry that it’s a dying art.