Netflix’s ‘Hold The Dark’ Is A Cinematic Punch To The Face

Fantastic Fest: ‘The World Is Yours’ Is Like A French ‘Snatch,’ But Better

Fantastic Fest: Dan Stevens Stars In ‘Apostle,’ An Insanely Gorey Take On Religious Cults

Armando Iannucci’s ‘The Death Of Stalin’ Has More Dead Bodies Than Most Horror Movies

‘The Killing Of A Sacred Deer’ Is Another Odd, Flawed Gem From Lanthimos

The Makers Of ‘Five Fingers For Marseilles’ On Creating A South African Western Years In The Making

Angela Robinson On ‘Professor Marston And The Wonder Women’ And Our Stagnant Cultural Progress

‘Professor Marston And The Wonder Women’ Uses The Safe Biopic Playbook To Do Something Dangerous

Examining The Appeal Of Haunted Houses With The Director Of ‘Haunters: The Art Of The Scare’

Who Defines A Community? Some Thoughts On The Drafthouse Controversy From Fantastic Fest

Fantastic Fest Review: ‘Bodied’ Combines ‘PCU’ With ‘8 Mile’ To Explore The Limits Of Free Speech

Fantastic Fest Review: Thomas Jane Goes Full Nebraska In The Stephen King Adaptation ‘1922’

Fantastic Fest Review: ‘Let The Corpses Tan’ Is A Bonkers, Beautiful, Confusing Exploitation Homage

Fantastic Fest Review: ‘Anna And The Apocalypse’ Is A Better Musical Than Zombie Movie

Joachim Trier’s ‘Thelma’ Is An Unforgettable Coming-Of-Age Nightmare

How Failing An Escape Room Made Me Realize The Value Of Leadership

‘The Chickening’ is here to make you feel like you’re insane

Exclusive ‘Dangerous Men’ clip asks the urgent question ‘Where is Black Pepper?’