‘American Dad’ Episodes That Show The Evolution Of Stan Smith

When American Dad first debuted in 2005, it was intended as a satire of the jingoism and fear than ran rampant in post 9/11 America. The show focused on Stan Smith, a CIA agent with far-right, xenophobic political views. Over time, however, the show focused less on political satire and became more character driven. Additionally, Stan’s politics became less of a focal point. In these seven episodes, we see how Stan’s character has changed over the show’s 10-year run.

“Homeland Insecurity” – Original Air Date: June 12, 2005

In the very early episodes of American Dad, Stan was extremely xenophobic. In this episode, when Stan finds out his new neighbors are from Iran, he immediately assumes they are terrorists, and accuses them of burning down a gazebo (it was actually Steve). Then, he detains them in the backyard, eventually doing the same to everyone in the neighborhood. Stan’s behavior is monstrous in this episode because at this point in time, Stan was less of a character than a representation of America’s fear and paranoia in the wake of 9/11. As the show evolved, his character would gradually become more rational.

“Stannie Get Your Gun” – Original Air Date: November 20, 2005

Stan’s right wing politics show up in this one, too, but here he develops a bit more humanity. This episode focuses on his love of guns, as well as his fractured relationship with Hayley, who loathes his conservative politics. Stan attempts to convince Hayley that guns are good by creating a scenario where Hayley would need to shoot a burglar to save the family. When Hayley finds out, outraged, she fires a round of bullets that she believes to be blanks into the air. One is a real bullet, and it hits Stan, paralyzing him. Stricken with guilt, Hayley only wants to help Stan. She even agrees to sing pro-gun songs at a gun-themed amusement park. When Stan sees Hayley crying, he realizes how much this is hurting her, and lets her sing an anti-gun song she had written earlier in the episode. While Stan reverts back to his pro-gun stance at the end of the episode, he also learns to care more about his daughter’s feelings. He’s still a conservative blowhard, but his love for his family is quite evident in this episode.

“Lincoln Lover’ – Original Air Date – November 3, 2006

“Surro-gate” – Original Air Date – December 2, 2007

As the show moved on and Stan’s character became fleshed out, there was a greater need for him to be a likable guy. Even if we were supposed to think Stan’s political views were wrong, we couldn’t think he was a monster, right? That meant that one aspect of Stan’s personality needed to be changed: his blatant homophobia. In “Lincoln Lover,” Stan learns to accept gays after encountering the Log Cabin Republicans. He gives a speech at the RNC encouraging the party to be more accepting of homosexuality. But as we learn in “Surro-gate,” he still doesn’t think gay couples should be raising children. So, when Greg and Terry use Francine as a surrogate for a child they plan to raise, he’s outraged, and he steals the baby from the delivery room. Only when he sees an example of a lesbian couple raising two normal children does he realize that gay couples are perfectly capable of raising kids. He returns the child to Greg and Terry who, as one might expect, are not planning to forgive him right away.

These two episodes show how Stan’s homophobic views changed over the years, and how that element of his personality was essentially erased. Stan was still conservative on just about everything else, but his regressive views on homosexuality were a thing of the past.


“Delorean Story-an” – Original Air Date: April 19, 2009

“Every Which Way But Lose” – Original Air Date: April 26, 2009

It’s a bit interesting that these episodes aired back-to-back, as they both focus on Stan’s troubled relationship with Steve. Stan was always disappointed that his son turned out to be a nerd and not a football star. In the first episode, Stan and Steve take a road trip to find the last piece Stan needs to complete the Delorean he had been building for years. There’s quite a bit of tension between the two, but when the episode’s over, they’ve formed quite a bond, realizing that the quest for the door has brought them closer together.

At the start of the next episode, however, Stan coldly chastises Steve for not winning a competition at school, believing that Steve is a loser. Steve tries to earn his respect by joining the football team, but when Stan becomes the coach, he cuts him. More devastated than ever, Steve and Roger devise a plan to get back at Stan. After forming a makeshift football team with Snot, Barry, and Toshi, they challenge Stan’s team to a game, and using some trickery, they pull of the upset. Stan now believes that he’s a loser and he plans on killing himself. He is only talked out of it when Steve teaches Stan how to cry by telling them a story of a child whose father cuts him from the football team. It’s a powerful moment, in which Stan learns to express emotions, as well as to understand how much his words hurt. Slowly but surely, Stan became a better parent.

“Stannie Boy And Frantastic” – Original Air Date January 27, 2011

This is my favorite example of how the show focused less and less on Stan’s conservative politics mostly because of one line that happens near the end of the episode. Stan and Francine are desperate to find another couple to be friends with. They find another couple, but they’re considerably younger and more adventurous. In order to “slow them down,” Stan and Francine sabotage the couple’s birth control, in the hope that having a child will force them not to party so aggressively. While pulling off the maneuver, Francine asks Stan if there’s any guarantee they’ll keep the baby. Stan replies “oh, they’re not gonna abort it…..because they’re awesome.” The joke here is that Stan’s conservative views have been pushed so far back, this line seemingly exists just to remind people that yes, Stan is still a hardcore Republican, even if the show isn’t talking about anymore. Subtle meta-humor and its finest.

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