The always-great Letters of Note today has an old letter from Gene Wilder (who’s 79 now) to Willy Wonka & the Chocolate factory director Mel Stuart (ironic that Mel Gibson shares a name with so many classic Jewish filmmakers, isn’t it?). But first, they open with another Wilder anecdote which I’d also never heard:
In the early-1970s, when originally offered the lead role in Willy Wonka & the Chocolate Factory by director Mel Stuart, the great Gene Wilder accepted on one condition:
“When I make my first entrance, I’d like to come out of the door carrying a cane and then walk toward the crowd with a limp. After the crowd sees Willy Wonka is a cripple, they all whisper to themselves and then become deathly quiet. As I walk toward them, my cane sinks into one of the cobblestones I’m walking on and stands straight up, by itself; but I keep on walking, until I realize that I no longer have my cane. I start to fall forward, and just before I hit the ground, I do a beautiful forward somersault and bounce back up, to great applause.”
Asked why, Wilder explained: “Because from that time on, no one will know if I’m lying or telling the truth.”
Meanwhile, the main letter concerned Wilder’s input about his costume for the film:
I’ve just received the costume sketches. I’ll tell you everything I think, without censoring, and you take from my opinion what you like.
I assume that the designer took his impressions from the book and didn’t know, naturally, who would be playing Willy. And I think, for a character in general, they’re lovely sketches.
I love the main thing — the velvet jacket — and I mean to show by my sketch the exact same color. But I’ve added two large pockets to take away from the svelt, feminine line. (Also in case of a few props.)
I also think the vest is both appropriate and lovely.
And I love the same white, flowing shirt and the white gloves. Also the lighter colored inner silk lining of the jacket.
What I don’t like is the precise pin pointing in place and time as this costume does.
I don’t think of Willy as an eccentric who holds on to his 1912 Dandy’s Sunday suit and wears it in 1970, but rather as just an eccentric — where there’s no telling what he’ll do or where he ever found his get-up — except that it strangely fits him: Part of this world, part of another. A vain man who knows colors that suit him, yet, with all the oddity, has strangely good taste. Something mysterious, yet undefined.
I’m not a ballet master who skips along with little mincy steps. So, as you see, I’ve suggested ditching the Robert Helpmann trousers. Jodhpurs to me belong more to the dancing master. But once elegant now almost baggy trousers — baggy through preoccupation with more important things — is character.
Slime green trousers are icky. But sand colored trousers are just as unobtrusive for your camera, but tasteful.
The hat is terrific, but making it 2 inches shorter would make it more special.
Also a light blue felt hat-band to match with the same light blue fluffy bow tie shows a man who knows how to compliment his blue eyes.
To match the shoes with the jacket is fey. To match the shoes with the hat is taste.
Hope all is well. Talk to you soon.
All my best,
Fey, feminine, mincy – the guy sure had a lot of different ways to say “this looks gay,” didn’t he? And yet he always managed to make it sound both thoughtful and classy. Take a note, Brett Ratner. But please, put down the burrito first, this notebook paper isn’t free.
Letters are so cool. Somehow, I doubt Johnny Depp’s Blackberry message to Tim Burton will ever have the same time-capsule appeal. “Timby – I think makeup lady’s skimping on the eyeliner lately. Think u should talk 2 her. -JD.”
[check out some other great letters over at Letters of Note, it’ll make me feel better about basically blockquoting their whole post, plus, it’s a really great site]