This Organization Helps Artists Who Are Homeless Or Have Disabilities Live Their Dreams

Nick Morse is a successful artist whose vibrant, colorful paintings have gained him a degree of fame. He’s also autistic and completely non-verbal. Doctors told his father, Steve, that he’d be lucky to hold down any job at all one day. So it brings tears to Steve’s eyes when he describes watching his son find his passion for art after so many people doubted him.

“He’s been counted out all his life,” Steve tells Uproxx. “And demeaned, and perhaps bullied.” Seeing Nick now though, and the joy he takes in his painting, and that others take in his work…there’s no price tag you can put on that, Steve says.

Being on the autism spectrum doesn’t make Nick Morse any less talented or joyful as an artist, but it could have easily caused his talent to go unnoticed. Because of his autism, people have underestimated Nick his whole life. It’s a common problem for artists who don’t fit into a traditional category, mentally, physically, or financially. They’re ignored by society, and swept under the rug, told what they can and cannot do or be. So the idea of making money from their art, can seem like an impossible dream to people like Nick.

It’s this dismissal of artists with disabilities that bothered Liz Powers when she began working with people in shelters and with disabilities. Powers saw the art work being created in shelters, and was completely blown away. She noticed that not only were there many artists with real talent, but they were also being completely overlooked.

Artist Nick Morse with Liz Powers, founder of ArtLifting.

“This artwork is amazing!” Powers says of the work she started to see. “And a lot of it is saleable.” It just wasn’t being sold….yet.

Seeing pieces she liked made Powers realize that there was a job market for people that wasn’t being tapped into. They just needed a little help facilitating things. The artists she met wanted to work, they just didn’t necessarily have people that believed in them or the same set of opportunities that others artists had gotten.

“They repeatedly told me, Liz, I don’t want a handout,” Powers says. “I want an opportunity.”

So Powers began to ask herself how best she could help.

“How can we change the future of social enterprise so we’re creating more jobs,” Powers says she pondered, “and we’re redefining what a job is so that the economy includes more people that desperately want to work.”