In the third act of The Ranch‘s first episode, “Back Where I Come From,” a moment occurs between Colt Bennett (Ashton Kutcher) and his mother, Maggie (Debra Winger) that many adult children and their parents can relate to. It also sets a precedent for the new Netflix series from former Two and a Half Men showrunners Don Reo and Jim Patterson, not only for the show’s preferred type of humor, but also for the subjects it chooses to cover, how it covers them, and who it caters its coverage to. As a result, The Ranch is less about reviving what The New York Times calls “a defunct style of multicamera comedy” and more about serving a rural American audience that laments its lack of representation in the current world of “too much television.”
Colt, a quarterback for a Canadian semipro football team who was fired following an unfortunate incident involving an ice sculpture of Wayne Gretzky and singer Shania Twain, returns home to the fictional town of Garrison, Colo. He’s trying out for a Denver semipro team, but until that happens, he’ll be staying with his temperamental, Obama-hating, moon landing-truther father, Beau (Sam Elliott) and his older brother, Rooster (Danny Masterson). Meanwhile, his parents are divorced for reasons that aren’t fully explained in the first episode.
Hence the scene in question, which occurs the morning of Colt’s tryout. He runs into his mother adorned in nothing but her ex-husband’s over-sized shirt, which confuses him.
MAGGIE: Oh hey, Colt.
COLT: Whoa, whoa, whoa, whoa, whoa — what are you doing here?
MAGGIE: Your father.
A crude joke? Yes. Guaranteed to get laughs from the live studio audience and a few chuckles from those watching at home? Yup. Yet despite the line’s cheapness and viewers’ likely discomfort, both this feeling and the humor it inspires are truer than the town of Garrison. Few things are as awkward for families as the topic of sex (especially conservative ones), and while Colt didn’t catch his parents in the act, Kutcher’s subsequent exclamations, interruptions, and gags speak volumes — loud enough for anyone who gives the show a chance to hear.
Many of the jokes in The Ranch work as simply as this quick turn of phrase. A few running gags pop up, like Colt’s preference for UGG boots and he and his brother’s lustful machinations for the town’s recent high school graduates, but the comedy never becomes too complex. It remains accessible, much in the same manner that older sitcoms like Roseanne, Family Matters, All in the Family — and yes, even The Andy Griffith Show — programs focused on distinct family units that dealt with sometimes delicate matters like sex in uncomfortably funny ways.