Michael Rancic

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The Best Electronic Mixes Of 2018 So Far

by: Uproxx authors

How The Emerging Tech Of ‘Mixed Reality’ Is Making Music Education Accessible For Everyone

by: Uproxx authors

VR Music Festivals Could Become A Widespread Reality In The Near Future

by: Uproxx authors

DJ Koze Transcends Formula With Dancefloor Charisma On His New Album ‘Knock Knock’

by: Uproxx authors

Jon Hopkins On The Tension In Blending Techno And Ambient Sounds For His Latest Album ‘Singularity’

by: Uproxx authors

Does EDM Need A ‘Poptimism’ Moment?

by: Uproxx authors

April Spinback: Six Songs By Electronic Artists You Might’ve Missed

by: Uproxx authors

All The Best Electronic Music Playlists On Spotify Right Now

by: Uproxx authors

A Composer’s Process Is Interrupted By Toxic Waste In Oneohtrix Point Never’s Self-Directed ‘Black Snow’

by: Uproxx authors

Jon Hopkins Shares The Sinewy, Beat-Forward New Track ‘Everything Connected’

by: Uproxx authors

Lotic Announces Their Debut Album ‘Power’ With The Tense Reckoning Of ‘Hunted’

by: Uproxx authors

Amnesia Scanner And Pan Daijing Conjure Avant-EDM ‘Chaos’ In Their New Collaboration

by: Uproxx authors

DJ Koze Keeps It Weird With His Text-Only ‘Pick Up’ Video

by: Uproxx authors

Jenny Hval Embraces Her Unconscious With ‘Spells’

by: Uproxx authors

Leon Vynehall Announces His Ninja Tune Debut With The String-Swept ‘Envelopes (Chapter VI)’

by: Uproxx authors

Gang Gang Dance Return With The Simple Serenity Of ‘Lotus’

by: Uproxx authors

Premiere: L CON’s Avant Pop ‘You Were Right’ Is The Product Of A Garage Sale Synth Treasure

by: Uproxx authors

Sophie’s New ‘Faceshopping’ Video Goes More Than Skin Deep

by: Uproxx authors