Gregory Ellwood

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Review: Aaron Sorkin dominates the ambitious three-act drama that is ‘Steve Jobs’

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‘Spotlight’ takes the lead in the last Contender Countdown on HitFix

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Toronto takes a tumble: 11 quick movie reviews as mixed as this year’s festival

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Review: ‘Trumbo’ has problems if even Louis C.K. and Bryan Cranston don’t click

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Emily Blunt says she’s gotten phone calls about an ‘Edge of Tomorrow’ sequel

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Review: A fiery Cate Blanchett helps restore Dan Rather’s legacy in ‘Truth’

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Review: Only the frocks fit for Kate Winslet and ‘The Dressmaker’

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Review: Julianne Moore and Ellen Page fight the good fight but can’t save ‘Freeheld’

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Review: Eddie Redmayne and the Curious Case of ‘The Danish Girl’

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Review: Tom Hiddleston sings but can’t save shockingly bad ‘I Saw The Light’

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Review: The struggle is real for Jake Gyllenhaal in ‘Demolition’

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Review: ‘Land of Mine’ brings an untold horror from WW II to light

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Review: Cary Fukunaga’s ‘Beasts of No Nation’ is a visionary epic that must be seen

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Review: Johnny Depp rises above a very familiar feeling ‘Black Mass’

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Review: Carey Mulligan is the highlight of a familiar feeling ‘Suffragette’

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Review: Michael Keaton leads an incredible ensemble in Tom McCarthy’s ‘Spotlight’

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Aretha kills ‘Amazing Grace,’ Malala charms and Meryl Streep rules at Telluride

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Review: Brie Larson and Jacob Tremblay are remarkable in moving new drama ‘Room’

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