album review

King Gizzard & The Lizard Wizard Embrace Choogle On ‘Flight b741’

by: Uproxx authors

Normani’s ‘Dopamine’ Is A Showstopping Debut

by: Uproxx authors

In Praise Of Jessica Pratt And Knowing Nothing About The Personal Lives Of Artists

by: Uproxx authors

Why Cindy Lee’s ‘Diamond Jubilee’ Resonates As A Left-Field, Feel-Good Indie Rock Story

by: Uproxx authors

Maya Jane Coles’ First Album In Four Years Is A Brilliant Love Letter To Electronic Music

by: Uproxx authors

‘Passion, Pain & Demon Slayin’ Proves That Kid Cudi Needs Real Friends

by: Uproxx authors

Album Review: Fun.’s Jack Antonoff travels back to the ’80s for Bleachers’ ‘Strange Desire’

by: Uproxx authors

Review: Miranda Lambert shines on diverse new album, ‘Platinum’

by: Uproxx authors

Album review: Luke Bryan’s ‘Spring Break 6…Like We Ain’t Never’

by: Uproxx authors

Katy Perry’s ‘Prism’ reflects her heart and soul set to a beat: Review

by: Uproxx authors

Album Review: Keith Urban’s ‘Fuse’ marries country with other musical styles

by: Uproxx authors

Album review: Pet Shop Boys’ ‘Electric’ sparks with intensity

by: Uproxx authors

Review: Is Kanye West’s ‘Yeezus’ A Masterpiece Or Do We Just Want It To Be?

by: Uproxx authors

A Few Thoughts On Daft Punk’s Smooth New Album, ‘Random Access Memories’

by: Uproxx authors

5 Stages Of Yeah Yeah Yeahs: How To Admit A Great Band Has Released Their Worst Album

by: Uproxx authors

Album Review: Blake Shelton’s ‘Based On A True Story…’

by: Uproxx authors

5 Next-Day Thoughts On The Strokes’ New Album, ‘Comedown Machine’

by: Uproxx authors

Album Review: Justin Timberlake’s ‘The 20/20 Experience’

by: Uproxx authors