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    Best Sound Editing

    Oscar-nominated sound editors discuss dream project ‘All is Lost’

    February 21, 2014by: Uproxx authorsGerard Kennedy

    Wylie Stateman explains the first-person sound experience of Oscar nominee ‘Lone Survivor’

    February 10, 2014by: Uproxx authorsUproxx

    Tech Support: Final predictions for Best Costume Design, Film Editing, Production Design and Sound

    January 10, 2014by: Uproxx authorsGerard Kennedy

    Tech Support: What films headline this year’s race for Best Sound Editing?

    October 25, 2013by: Uproxx authorsGerard Kennedy

    It’s a tie! ‘Zero Dark Thirty,’ ‘Skyfall’ share sound editing Oscar as ‘Les Mis’ takes sound mixing

    February 24, 2013by: Uproxx authorsGuy Lodge

    Oscar Guide 2013: Best Sound Editing

    February 19, 2013by: Uproxx authorsUproxx

    Tech Support: Paul N.J. Ottosson on the subtly explosive soundscapes of ‘Zero Dark Thirty’

    January 9, 2013by: Uproxx authorsGuy Lodge

    Tech Support: ‘Looper,’ ‘Django’ and ‘Flight’ highlight the race for Best Sound Editing

    October 25, 2012by: Uproxx authorsGerard Kennedy

    ‘War Horse,’ ‘Super 8’ win with MPSE

    February 20, 2012by: Uproxx authorsUproxx

    Oscar Guide 2011: Best Sound Editing

    February 10, 2012by: Uproxx authorsUproxx

    ‘Super 8’ leads the way with Motion Picture Sound Editors nominees

    January 20, 2012by: Uproxx authorsUproxx

    On the sound of ‘The Muppets’

    November 23, 2011by: Uproxx authorsUproxx

    Tech Support: ‘Tintin’ and ‘Super 8’ stand out among Best Sound Editing contenders

    October 13, 2011by: Uproxx authorsGerard Kennedy
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