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Sundance 2022
Jesse Eisenberg’s Directorial Debut, ‘When You Finish Saving The World,’ Is An Awkward Tweener
January 20, 2023
by:
Vince Mancini
‘Fresh’ Is A Witty, Breezy, Slightly Gory Comedy Horror About The Perils Of Dating
March 4, 2022
by:
Vince Mancini
The Best Movies We Saw At Sundance In 2022
January 29, 2022
by:
Mike Ryan
and
Vince Mancini
‘Dual’ Is A Goofy Sci-Fi Lark About Fighting Your Own Clone
January 28, 2022
by:
Vince Mancini
The ‘Meet Me In The Bathroom’ Filmmakers Want To Immerse You In The Music Of Late ’90s NYC
January 28, 2022
by:
Mike Ryan
Amy Poehler On ‘Lucy And Desi’ And A Lot More ‘Three’s Company’ And ‘Little House On The Prairie’ Than You Might Have Been Expecting
January 27, 2022
by:
Mike Ryan
‘Navalny’ Is Riveting, Hopeful, And Horrifying — But It’s Also Terrific And A Must See
January 26, 2022
by:
Mike Ryan
Phyllis Nagy On Her Terrific New Film, ‘Call Jane,’ And Why It’s Probably Not What You Think It Will Be
January 26, 2022
by:
Mike Ryan
Rory Kennedy On Her Downright Infuriating Film ‘Downfall: The Case Against Boeing’
January 24, 2022
by:
Mike Ryan