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Sundance Film Festival 2020
‘Charm City Kings’ Is ’12 O’Clock Boys’ Meets ‘Bronx Tale’ With A Star Turn From Meek Mill
October 9, 2020
by:
Vince Mancini
Vince Mancini’s Sundance Wrap-Up: Short Reviews Of Everything He Saw
February 5, 2020
by:
Vince Mancini
‘The Go-Go’s’ Documentary Has, Well, Yes … The Beat
January 31, 2020
by:
Mike Ryan
An Unironic ‘La La Land’ Set In 1950s Harlem, ‘Sylvie’s Love’ Is Damn Near Perfect
January 31, 2020
by:
Vince Mancini
See Toni Collette Welsh On A Horse Bet In Sundance’s ‘Dream Horse’
January 31, 2020
by:
Vince Mancini
Carrie Coon Absolutely Shines In Sundance’s ‘The Nest’
January 31, 2020
by:
Vince Mancini
“The World Is Such A Sh*tty Place Right Now”: Why Oscar Winner Tom McCarthy Made A Kids Movie
January 30, 2020
by:
Mike Ryan
A Rare Antics-Free Interview With Amy Ryan About ‘Lost Girls’ And ‘Worth’
January 29, 2020
by:
Mike Ryan
‘Ironbark’ Stars Benedict Cumberbatch In A Homoerotic Tale Of Cold War Espionage
January 28, 2020
by:
Vince Mancini
Lonely Island’s ‘Palm Springs,’ A Spiritual Cousin To ‘Groundhog Day,’ Is Absolutely Fantastic
January 27, 2020
by:
Mike Ryan
Bo Burnham On Playing The ‘I’m A Nice Guy’ Guy In ‘Promising Young Woman’
January 27, 2020
by:
Mike Ryan
Michael Keaton Courageously Administers Funds In The Actuarial 9/11 Tale ‘Worth’
January 26, 2020
by:
Vince Mancini
We Talked With Dee Rees At Sundance About Her First Post-‘Mudbound’ Film, ‘The Last Thing He Wanted‘
January 26, 2020
by:
Mike Ryan
The New Series About The McDonald’s Monopoly Scam, ‘McMillions,’ Is Insane
January 24, 2020
by:
Mike Ryan
Taylor Swift Helps Kick Off Sundance With ‘Miss Americana’
January 24, 2020
by:
Mike Ryan