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Justine Skye Details Her Surprise When ‘Collide’ Resurfaced On TikTok For Uproxx’s ‘How I Blew Up’
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Benny Blanco Uses His Creative Superpowers To Invent New Skrewball Whiskey Cocktails In ‘Skrew The Usual’
ODESZA Unveil Part Two Of Their Massive ECHOES Buildout With SETUP & SNAPDRAGON
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2021 Uproxx Music Critics Poll
Alone, Together: Low’s ‘Hey What’ Goes Off The Grid To Find Peace
December 30, 2021
by:
Ian Cohen
Turnstile Kills The Vibe
December 27, 2021
by:
Michael Tedder
Jazmine Sullivan’s ‘Heaux Tales’ Is A Classic Work Of Black Feminism
December 23, 2021
by:
Jaelani Turner-Williams
Little Simz May Be At The Start Of Her Own, One-Woman British Invasion
December 17, 2021
by:
Aaron Williams
On ‘Sour,’ Olivia Rodrigo’s Songwriting Dispels The Myth Of The Artificial Pop Star
December 16, 2021
by:
Caitlin White
It’s Brutal Out Here: This Year’s Albums That Critiqued Sexism In The Music Industry
December 16, 2021
by:
Danielle Chelosky
Was 2021 A Year Without An All-Time Classic Album?
December 16, 2021
by:
Steven Hyden
How Tyler The Creator Became Rap’s Leading Man
December 16, 2021
by:
Dean Van Nguyen
Japanese Breakfast’s Michelle Zauner On Her Wild Year And Winning The 2021 Uproxx Music Critics Poll
December 16, 2021
by:
Carolyn Droke
The 2021 Uproxx Music Critics Poll
December 16, 2021
by:
Philip Cosores
The Weather Station And The New Grief
December 15, 2021
by:
Grayson Haver Currin