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David Chase On ‘The Many Saints Of Newark‘ And The Connection Between ‘The Office’ And ‘The Sopranos’
Brian Cox Talks To Us About ‘The Sandman,’ ‘Succession,’ The Wonder Of Podcasts And Audio Storytelling, And The Obligatory ‘F*ck Off’
‘The Many Saints Of Newark’ Is Both Confounding And Exhilarating
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People Are Livid Over OnlyFans Screwing Over The Sex Workers Who Made Them Rich
How The WNBA Became The World’s Most Community Focused Sports League
Brewer Megan Stone On Sexism In The Craft Beer Industry And What Needs To Change
Go Sit In A Park For A While
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Zion Williamson Gives Back So He Can Never Forget Where He Came From
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Talib Kweli & Bob Saget On ‘Full House,’ Richard Pryor, Olsens, Cancel Culture
Obsessed: ‘The White Lotus,’ ‘Sex And The City,’ And Location As A Character
BlueBucksClan Pays Homage To ‘Horace Grant’ In A Freewheeling ‘UPROXX Sessions’ Performance
OhGeesy Explains What ‘Big Bad Wolf’ Means For ‘Behind The Video’
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NEXTFEST
NEXT FEST ends with ‘Turbo Kid,’ DJ’s and an audience other fests would kill for
August 10, 2015
by:
Gregory Ellwood
Review: ‘Cop Car’ feels a little too Coen Brothers-lite and that’s not a good thing
August 3, 2015
by:
Gregory Ellwood
