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THE BEST OF HIP-HOP

Flo Milli Lets The Brat Out On ‘You Still Here, Ho?’

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Roy Woods Brings The Sultry ‘Insecure’ To ‘UPROXX Sessions’ Ahead Of His ‘Mixed Emotions’ Album Release

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The Music You Need, Right Now

Why Beyonce Didn’t Sample Kelis On ‘Renaissance’ And Doesn’t Owe Her Anything

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Ckay’s ‘How I Blew Up’ Story Takes Him From SoundCloud To International Stardom

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The Latest

Outside Lands 2022 Showed An Ever-Evolving Mega Festival In Its Prime

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21 Savage Defends His Lyrics From Fans Calling Him A Hypocrite For Speaking Out Against Gun Violence

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Open Mike Eagle Announces The Nostalgic ‘Component System With The Auto Reverse’ Mixtape

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Young Nudy Reunites With Pi’erre Bourne To Drop The Menacing New Project ‘EA Monster’

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Kendrick Lamar Played A Tiny NYC Show With Jay-Z And Beyoncé In The Crowd

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Featured

Which Frank Ocean Album Is Better: 'Channel Orange' vs. 'Blonde'

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Aida Osman And KaMillion Of 'Rap Sh!t' Are Becoming Stars Alongside Their Characters

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Lizzo’s ‘Special’ Is Fun, Relatable, And Therapeutic

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Rexx Life Raj's Soul-Baring Album 'The Blue Hour' Will Break Your Heart

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DJ Premier Looks At Rap's Past, Present, And Future On 'Hip-Hop 50: Vol. 1'

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The Power Of Hip-Hop Was On Full Display At Montreal Jazz Festival

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Brent Faiyaz Once Said ‘F*ck The World,’ And Now, It Returns The Insult With Destruction On ‘Wasteland’

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Giveon’s Past Traumas Lead Him To Love’s Double-Edged Sword On ‘Give Or Take’

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