The first ‘Green Room’ trailer promises skinhead mayhem and crazy action
Review: Heads explode a-plenty in charmingly absurd midnight movie ‘Mind’s Eye’
Review: ‘Anomalisa’ is the most shattering experiment yet from Charlie Kaufman
Films We Saw At TIFF: The Definitive Ranking
Paramount Is Releasing Charlie Kaufman’s ‘Anomalisa’ In December, For Maximum Oscar Eligibility
Sebastian Stan On ‘The Martian’ And How He Wasn’t Sure He’d Be A Part Of ‘Captain America: Civil War’
‘Anomalisa’ And ‘The Lobster’ Are Weird, Unmissable Movies About Love
Rob Reiner Directs His Son’s Script In The Clunky Rehab Drama ‘Being Charlie’
‘Brooklyn’ Might Be The Most Legitimately Touching Tear-Jerker Ever
‘The Program’ Accidentally Makes A Case For Forgiving Lance Armstrong
In Which We Discuss Autopsies With Tom Hiddleston In A Nightclub Basement
Rachel McAdams Confirms That She’s Been Cast In ‘Doctor Strange’
Sarah Silverman Thinks Older Comedians Need To Get With The Changing Times
‘Spotlight,’ A Film About The Boston Globe’s Reporting On The Catholic Church’s Scandals, Is Tremendous
John Goodman Does Not Tolerate Bullshit, But He’ll Happily Whip Some Up For You
Review: Kristen Stewart fights back against a world without emotion in ‘Equals’
‘Sicario’ Director Denis Villeneuve On His Buzzed-About Film And The Extraordinary Power Of Drug Cartels
Review: Michael Moore’s optimistic in deceptively-titled ‘Where To Invade Next’