The first ‘Green Room’ trailer promises skinhead mayhem and crazy action

Review: Heads explode a-plenty in charmingly absurd midnight movie ‘Mind’s Eye’

Review: ‘Anomalisa’ is the most shattering experiment yet from Charlie Kaufman

Films We Saw At TIFF: The Definitive Ranking

Paramount Is Releasing Charlie Kaufman’s ‘Anomalisa’ In December, For Maximum Oscar Eligibility

Sebastian Stan On ‘The Martian’ And How He Wasn’t Sure He’d Be A Part Of ‘Captain America: Civil War’

‘Anomalisa’ And ‘The Lobster’ Are Weird, Unmissable Movies About Love

Rob Reiner Directs His Son’s Script In The Clunky Rehab Drama ‘Being Charlie’

‘Brooklyn’ Might Be The Most Legitimately Touching Tear-Jerker Ever

‘The Program’ Accidentally Makes A Case For Forgiving Lance Armstrong

In Which We Discuss Autopsies With Tom Hiddleston In A Nightclub Basement

Rachel McAdams Confirms That She’s Been Cast In ‘Doctor Strange’

Sarah Silverman Thinks Older Comedians Need To Get With The Changing Times

‘Spotlight,’ A Film About The Boston Globe’s Reporting On The Catholic Church’s Scandals, Is Tremendous

John Goodman Does Not Tolerate Bullshit, But He’ll Happily Whip Some Up For You

Review: Kristen Stewart fights back against a world without emotion in ‘Equals’

‘Sicario’ Director Denis Villeneuve On His Buzzed-About Film And The Extraordinary Power Of Drug Cartels

Review: Michael Moore’s optimistic in deceptively-titled ‘Where To Invade Next’