Venice 2014

Review: Fatih Akin’s well-intended ‘The Cut’ does a disservice to a historical tragedy

by:

Review: ‘The Boxtrolls’ delights with a witty script and superb stop motion animation

by:

Review: ‘The Humbling’ is an unnecessary adaptation of a bad book

by:

Review: Slow-burn drama ‘Manglehorn’ gives Al Pacino his best role in ages

by:

Review: ‘She’s Funny That Way’ is a creaky throwback comedy with a charming cast

by:

Review: The First Lady of Iranian Cinema returns with dialogue-heavy ‘Tales’

by:

Review: Garfield and Shannon spark in broad brush moral crisis drama ’99 Homes’

by:

Review: Dark Israeli comedy ‘The Farewell Party’ finds humor in assisted dying

by:

Review: ‘The Look Of Silence’ is a worthy companion to ‘The Act Of Killing’

by:

Review: Alejandro G. Iñárritu’s ‘Birdman’ opens Venice with a sure-fire Oscar bet

by:

Review: Low-key drama in the English fenland propels debut feature ‘The Goob’

by:

Venice 2014: Get ready for buzzworthy ‘Birdman,’ Andrew Garfield and Al Pacino

by:

James Franco to be honored for innovation at 2014 Venice Film Festival

by:

Al Pacino, Ethan Hawke and Laika’s ‘Boxtrolls’ are heading for Venice

by:

‘Birdman’ with Michael Keaton to kick off Oscar season as 2014 Venice opener

by: