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Is ‘White Men Can’t Jump’ Star Jack Harlow A Better Rapper, Actor, Or Basketball Player?
What Janelle Monáe Is Doing With Her NSFW ‘Age Of Pleasure’ Rollout Isn’t New But It Is Necessary
Jason Isbell On His New Album, Martin Scorsese, And His Love Of The Cure
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The ‘Succession’ Series Finale Report Card: One Last Night At The Scorpion Party
‘Ted Lasso’ Series (?) Finale Power Rankings: A Little Hugging, A Little Crying, A Little Grilled Meat
The Case For And Case Against The ‘Barry’ Series Finale
Culture
How Bail Bag Helps The Formerly Incarcerated Get Back On Their Feet
Advice From A Finance Pro For How To Survive (And Thrive) In This Economy
Why We Shouldn’t Forget About The Game Stop Short Squeeze
Five Cities Where Latinx Street Art Is Alive And Well
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Travel Budgeting Pro Gabby Beckford Shares Her Best Financial Advice For 2023 Adventures
We Blind Tested Our Favorite Fast Food Double Cheeseburgers & Crowned A New Champ
How To Actually, Truly Buy Pappy Van Winkle Bourbon… For Real
We’re Picking The Very Best Air Jordan IIIs Of All Time
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How ‘Inside The NBA’ Creates Space To Make The Best Studio Show In Sports
Daniel Ricciardo Is Getting Comfortable With Being Uncomfortable
In Control: Quentin Grimes Is Writing His Own Story With The Knicks
Video/Podcasts
Jhonni Blaze’s ‘UPROXX Sessions’ Performance Pleads ‘Don’t Fall Out Of Love’
Talib Kweli & Cormega On ‘The Realness II,’ Nas, The Firm, Large Pro, Queens
Luh Tyler Goes ‘Behind The Video’ For His ‘Law & Order’ Visual
Up-And-Coming Artist Kallitechnis Is Staying In The Moment While Stepping Into Spotlight
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Catherine Bray
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Venice Reviews: Golden Lion winner ‘Pigeon,’ ‘In the Basement,’ ‘Reality’
September 7, 2014
by:
Catherine Bray
Adam Driver, Roy Andersson, Joshua Oppenheimer win Venice awards
September 6, 2014
by:
Catherine Bray
Review: Willem Dafoe can’t anchor Abel Ferrara’s overwrought ‘Pasolini’
September 4, 2014
by:
Catherine Bray
Review: Rising Brit star George MacKay is the standout in Duane Hopkins’ ‘Bypass’
September 3, 2014
by:
Catherine Bray
Review: Frances McDormand’s new mini-series ‘Olive Kitteridge’ is a perfect storm of talent
September 2, 2014
by:
Catherine Bray
Review: Katherine Heigl country romance ‘Jackie & Ryan’ is corny but well-acted
September 1, 2014
by:
Catherine Bray
Review: Fatih Akin’s well-intended ‘The Cut’ does a disservice to a historical tragedy
August 31, 2014
by:
Catherine Bray
Review: ‘The Boxtrolls’ delights with a witty script and superb stop motion animation
August 30, 2014
by:
Catherine Bray
Review: ‘The Humbling’ is an unnecessary adaptation of a bad book
August 30, 2014
by:
Catherine Bray
Review: Slow-burn drama ‘Manglehorn’ gives Al Pacino his best role in ages
August 30, 2014
by:
Catherine Bray
Review: ‘She’s Funny That Way’ is a creaky throwback comedy with a charming cast
August 29, 2014
by:
Catherine Bray
Review: The First Lady of Iranian Cinema returns with dialogue-heavy ‘Tales’
August 29, 2014
by:
Catherine Bray
Review: Garfield and Shannon spark in broad brush moral crisis drama ’99 Homes’
August 28, 2014
by:
Catherine Bray
Review: Dark Israeli comedy ‘The Farewell Party’ finds humor in assisted dying
August 28, 2014
by:
Catherine Bray
Review: ‘The Look Of Silence’ is a worthy companion to ‘The Act Of Killing’
August 27, 2014
by:
Catherine Bray
Review: Alejandro G. Iñárritu’s ‘Birdman’ opens Venice with a sure-fire Oscar bet
August 27, 2014
by:
Catherine Bray
Review: Low-key drama in the English fenland propels debut feature ‘The Goob’
August 26, 2014
by:
Catherine Bray
Venice 2014: Get ready for buzzworthy ‘Birdman,’ Andrew Garfield and Al Pacino
August 21, 2014
by:
Catherine Bray