Venice Reviews: Golden Lion winner ‘Pigeon,’ ‘In the Basement,’ ‘Reality’

Adam Driver, Roy Andersson, Joshua Oppenheimer win Venice awards

Review: Willem Dafoe can’t anchor Abel Ferrara’s overwrought ‘Pasolini’

Review: Rising Brit star George MacKay is the standout in Duane Hopkins’ ‘Bypass’

Review: Frances McDormand’s new mini-series ‘Olive Kitteridge’ is a perfect storm of talent

Review: Katherine Heigl country romance ‘Jackie & Ryan’ is corny but well-acted

Review: Fatih Akin’s well-intended ‘The Cut’ does a disservice to a historical tragedy

Review: ‘The Boxtrolls’ delights with a witty script and superb stop motion animation

Review: ‘The Humbling’ is an unnecessary adaptation of a bad book

Review: Slow-burn drama ‘Manglehorn’ gives Al Pacino his best role in ages

Review: ‘She’s Funny That Way’ is a creaky throwback comedy with a charming cast

Review: The First Lady of Iranian Cinema returns with dialogue-heavy ‘Tales’

Review: Garfield and Shannon spark in broad brush moral crisis drama ’99 Homes’

Review: Dark Israeli comedy ‘The Farewell Party’ finds humor in assisted dying

Review: ‘The Look Of Silence’ is a worthy companion to ‘The Act Of Killing’

Review: Alejandro G. Iñárritu’s ‘Birdman’ opens Venice with a sure-fire Oscar bet

Review: Low-key drama in the English fenland propels debut feature ‘The Goob’

Venice 2014: Get ready for buzzworthy ‘Birdman,’ Andrew Garfield and Al Pacino