‘A Real Pain’ Writer/Director Jesse Eisenberg Isn’t Interested In Perfect Endings And Forced Catharses

With That Game Changing Season Finale, ‘Industry’ Just Became TV’s Best Show

‘The Substance’ Doesn’t Need Awards To Be A Masterpiece

‘Industry’ Star Harry Lawtey Makes The Case For Liberating Rob’s Pure Heart And Squashing Impostor Syndrome

If A Third ‘Beetlejuice’ Is Going To Work, Then Tim Burton Needs To Change Everything

Reggie Watts Has Words Of Wisdom For Fearless Creators

Why ‘The Bear’ Had To Make You Hate Carmy In Season 3

Ron Howard On ‘Idea Man’ And What Jim Henson’s Story Can Teach Today’s Creators

Chris Pine Talks ‘Poolman,’ LA Loneliness, And His ‘Star Trek’ Future

John Mulaney’s ‘Everybody’s In L.A.’ Is A Late Night Party We’re Going To Remember

Ranking The 15 Best Ryan Gosling Movies

Justice Smith Talks ‘I Saw The TV Glow’ And The Disposability And Comfort Of Art

The Best ‘Seinfeld’ Episodes Of All Time, Ranked

‘Black Sails’ Star Luke Arnold Is Creating A Graphic Novel With A Strong Creative Compass

How One Small Business Owner Kept Two New Jersey Comic Book Staples Going

A Lovely Chat With Walton Goggins About ‘Fallout,’ ‘Justified,’ And Being A Solitary Man

Anthony Boyle On ‘Manhunt,’ Not Being Changed By Success, And Why Irish Actors Nail American Accents

Triumph And Conan Helped A Song From Adam Sandler’s ‘Leo’ (Sorta) Crash The Oscars