With ‘Argylle,’ Matthew Vaughn Does Actually Care What You Think

‘Argylle’ Is Absurd, Ridiculous Fun

‘The Greatest Night In Pop,’ About The Making Of ‘We Are The World,’ Is Incredible

‘Poor Things’ Screenwriter Tony McNamara On Why His Second Oscar Nomination Is Different

‘The Holdovers’ Screenwriter David Hemingson Is Pretty Happy About His Oscar Nomination

Glen Powell Proves He’s A Damn Movie Star In ‘Hit Man’

Here Are Our Most Anticipated Movies From The 2024 Sundance Film Festival

‘The Beekeeper’ Is So Dumb And Ridiculous That It’s Kind Of Terrific

‘Echo’ Has Some Interesting Beats But It’s Also More Of The Same From The MCU

Sydney Freeland On ‘Echo’ And The Trick Of Making A Villain The Hero

‘Aquaman And The Lost Kingdom’ — What On Earth Even Is This?

Maura Tierney On Bringing Stoic Depth To Doris Von Erich In ‘The Iron Claw’

Michael Mann On ‘Ferrari’ And The Movies He Still Wants To Make

Writer/Director Sean Durkin On ‘The Iron Claw’ And The Toughest Writing Decision He’s Ever Made

Hadley Robinson On ‘The Boys In The Boat’ And Saying Goodbye To ‘Winning Time’

George Clooney On ‘The Boys In The Boat’ And Maybe Playing Danny Ocean Again

Brian Helgeland On ‘Finestkind’ And Birthing The World’s Most Famous GIF

The Plot Of ‘Wonka‘ Is … Probably Not What You Think It Is