Scott Tobias

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‘The Rider’ Finds Truth By Beautifully Blurring Fact And Fiction

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‘Lean On Pete’ Finds Life-Or-Death Stakes In The Story Of A Boy And His Horse

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‘American Made’ Takes Tom Cruise On A Reckless Thrill Ride Through The Underside Of The 1980s

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‘The Bad Batch’ Takes A Slow Trip Through The Wasteland

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‘Buena Vista Social Club: Adios’ Offers A Return Visit From Some Cuban Legends

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‘Snatched’ Binds Goldie Hawn And Amy Schumer To A Lifeless Comedy

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‘The Great Wall’ Turns A Silly Idea Into A Dazzling Spectacle

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‘John Wick: Chapter Two’ Is A Skull-Shattering Sequel Determined To Outdo The Original

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Sundance Forever: The Mysterious, Prescient Phenomenon Of ‘sex, lies, and videotape’

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Jamie Foxx Looks Bored In The Uninspired Thriller Remake ‘Sleepless’

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‘Goat’ Finds Insecurity And Sadism Beneath The Surface Of Frat Life

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The Skillful, Terrifying ‘Don’t Breathe’ Is The Year’s Best Horror Movie

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Meryl Streep Screeches Charmingly In The Winning But Sappy ‘Florence Foster Jenkins’

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‘Little Men’ Is A Low-Key Drama That Packs An Emotional Wallop

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‘Nerve’ Finds The Creators Of ‘Catfish’ Crafting A Social Media-Savvy Cyberthriller

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‘Lights Out’ Tries To Make Viewers Even More Afraid Of The Dark

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The Two Lebowskis: The Coens’ Battle Of The Boomers, Two Opposing Sides Of A Cultural Revolution

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Bryan Cranston Is A Man Living A Double Life In The Drug Business, Again, In ‘The Infiltrator’

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