Maya Jane Coles’ First Album In Four Years Is A Brilliant Love Letter To Electronic Music

‘Passion, Pain & Demon Slayin’ Proves That Kid Cudi Needs Real Friends

Album Review: Fun.’s Jack Antonoff travels back to the ’80s for Bleachers’ ‘Strange Desire’

Review: Miranda Lambert shines on diverse new album, ‘Platinum’

Album review: Luke Bryan’s ‘Spring Break 6…Like We Ain’t Never’

Katy Perry’s ‘Prism’ reflects her heart and soul set to a beat: Review

Album Review: Keith Urban’s ‘Fuse’ marries country with other musical styles

Album review: Pet Shop Boys’ ‘Electric’ sparks with intensity

Review: Is Kanye West’s ‘Yeezus’ A Masterpiece Or Do We Just Want It To Be?

A Few Thoughts On Daft Punk’s Smooth New Album, ‘Random Access Memories’

5 Stages Of Yeah Yeah Yeahs: How To Admit A Great Band Has Released Their Worst Album

Album Review: Blake Shelton’s ‘Based On A True Story…’

5 Next-Day Thoughts On The Strokes’ New Album, ‘Comedown Machine’

Album Review: Justin Timberlake’s ‘The 20/20 Experience’

Did A Bogus Copyright Claim Erase A Negative Drake Review From Google?

Album Review: Madonna finds beauty in the beat on ‘MDNA’

Review: Beyonce’s new album ‘4’

Album Review: Green Day’s ‘Awesome as F**k’