retrospectives

A Tribute To ‘Road House,’ The Greatest And Only Cultural Product This Writer’s Home Town Ever Produced

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‘Flashdance’ Became The Blueprint For Many Of The Most Successful Blockbuster Movies Ever Made

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‘Apocalypse Now’ At 40: How Does The Greatest War Film Ever Hold Up in 2019?

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‘Robocop’ At 30 — An Island Of Dark Satire In A Decade Of Cheerleading

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‘The Fifth Element’ At 20: The Cacophonous Future People Couldn’t Quite Process

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‘Three Amigos’ Revisited: Still Charming And Singularly Strange At 30

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How T.I. Found Himself On ‘Urban Legend’ And Set The Stage For A Legendary Career

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‘Point Break’ At 25: Is It A Great Bad Movie Or Just A Great Movie?

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When A Movie You Hated Spawns A Franchise You Love: ‘The Fast And The Furious’ At 15

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In Memoriam: All Of The Bad Guys Killed In ‘Commando,’ With One Liners

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Ernest, The Worrell’d Tour Part 9: ‘Ernest Goes To Africa’ Is the Most Racist Kid’s Movie Ever Made

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Ernest, The Worrell’d Tour Part 8: ‘Slam Dunk Ernest’

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25 Years Later, ‘Total Recall’ May Be The Best Philip K. Dick Adaptation

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How ‘Saints Row’ Went Crazy… And Became Great

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Why ‘Sin City’ Is What Comic Book Movies Shouldn’t Be

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Smokin’: How A Warped Underground Comic Book Became ‘The Mask’

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Behind The Weird, Feverish Movie That Inspired ‘Dawn Of The Planet Of The Apes’

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Was 2001 Remake ‘Planet Of The Apes’ Really That Bad?

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