A Tribute To ‘Road House,’ The Greatest And Only Cultural Product This Writer’s Home Town Ever Produced

‘Flashdance’ Became The Blueprint For Many Of The Most Successful Blockbuster Movies Ever Made

‘Apocalypse Now’ At 40: How Does The Greatest War Film Ever Hold Up in 2019?

‘Robocop’ At 30 — An Island Of Dark Satire In A Decade Of Cheerleading

‘The Fifth Element’ At 20: The Cacophonous Future People Couldn’t Quite Process

‘Three Amigos’ Revisited: Still Charming And Singularly Strange At 30

How T.I. Found Himself On ‘Urban Legend’ And Set The Stage For A Legendary Career

‘Point Break’ At 25: Is It A Great Bad Movie Or Just A Great Movie?

When A Movie You Hated Spawns A Franchise You Love: ‘The Fast And The Furious’ At 15

In Memoriam: All Of The Bad Guys Killed In ‘Commando,’ With One Liners

Ernest, The Worrell’d Tour Part 9: ‘Ernest Goes To Africa’ Is the Most Racist Kid’s Movie Ever Made

Ernest, The Worrell’d Tour Part 8: ‘Slam Dunk Ernest’

25 Years Later, ‘Total Recall’ May Be The Best Philip K. Dick Adaptation

How ‘Saints Row’ Went Crazy… And Became Great

Why ‘Sin City’ Is What Comic Book Movies Shouldn’t Be

Smokin’: How A Warped Underground Comic Book Became ‘The Mask’

Behind The Weird, Feverish Movie That Inspired ‘Dawn Of The Planet Of The Apes’

Was 2001 Remake ‘Planet Of The Apes’ Really That Bad?