Uproxx Movie Reviews

Rashid Johnson’s Contemporary Take On ‘Native Son’ Confuses More Than It Explains

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Jordan Peele’s ‘Us’ Is A Genuinely Scary And Very Funny Follow-Up To ‘Get Out’

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‘The Man Who Killed Hitler And Then The Bigfoot’ Defies Expectations

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‘Vox Lux’ Is A Pop Star Story That Doubles As A Harsh Examination Of The Modern World’s Celebrity Obsession

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Even Its Sharp Cast Can’t Stop Shane Black’s ‘The Predator’ From Disappointing

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‘The Meg’ Is The Most Jason Statham-Fighting-A-Giant-Shark Movie Of The Year

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‘Mamma Mia! Here We Go Again’ Is A Delightful Movie Made For Every Type Of Person To Enjoy

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‘Jurassic World: Fallen Kingdom’ Is Sprinkled With The Joy And Wonder That Made The Original Special

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The Tribeca Film Festival Opens With ‘Love, Gilda’ — A Moving, Intimate Look At The Life Of Gilda Radner

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Steven Soderbergh’s ‘Unsane’ Sends Claire Foy Into A Threatening Wonderland

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‘Love, Simon’ Folds A Coming Out Story Into A Warm, Traditional Teen Comedy

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Armando Iannucci’s ‘The Death Of Stalin’ Has More Dead Bodies Than Most Horror Movies

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The Rollout For Netflix’s ‘The Cloverfield Paradox’ Is More Compelling Than The Movie

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‘Phantom Thread’ Is Paul Thomas Anderson At His Most Restrained

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‘The Commuter’ Is A Movie For When You Just Want To Watch Liam Neeson Punch People In The Face

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‘In The Fade’ Sends Diane Kruger On A Hellish Quest For Justice

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‘Bright’ Teams Will Smith With An Orc For A Mirthless, Messy Cop Drama

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‘Father Figures’ Is A Weird, Kind Of Bad, Irresistibly Charming Movie

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