Taika Waititi Can’t Believe He Has To Tell People Nazis Are Bad
Noah Hawley On ‘Lucy in the Sky,’ ‘Fargo,’ And An Update On His Doctor Doom Movie
‘Give An Oscar To The Sandman!’ — The Case For Adam Sandler To Win An Oscar For His ‘Uncut Gems’ Performance
Bruce Springsteen’s Film ‘Western Stars’ Is An Intimate, Wonderful Gift
‘Joker’ Is The Perfect Movie For 2019, It Is Our Comeuppance
Rian Johnson On His Delightful Murder Mystery ‘Knives Out,’ And The Past And Future Of ‘Star Wars’
‘A Beautiful Day In The Neighborhood’ Is Less About Mister Rogers And More About You
‘Hustlers’ Director Lorene Scafaria Tells Us How She Got This Crazy True Story Made
‘Waves’ Is Fascinating, Often Brilliant, But Also Confoundingly Frustrating
‘Ad Astra’ Director James Gray On The Influences And Inspirations For His Phenomenal, Brad Pitt-Starring Film
Oscar-Nominated Short Film Director, Guy Nattiv, On The Academy’s Decision To Announce His Category During Commercials
It’s Time To Bring Back Streaking To The Oscars
‘Black Panther’ Composer Ludwig Göransson On Earning His First Oscar Nomination
Steve Carell On Playing The ‘Terrifying’ Donald Rumsfeld In ‘Vice’ And Why He Doesn’t Watch ‘The Office’
Golden Globe Snub Be Damned, Sam Elliott Is Still F-ing Awesome In ‘A Star Is Born’
If You Give It A Chance, ‘Spider-Man: Into The Spider-Verse’ Will Knock Your Socks Off
Viggo Mortensen Tells Us Why He Thinks ‘Green Book’ Is One Of The Best Stories Of The Year
Peter Farrelly Is Delighted To Be Sneaking Up On People Again With His Oscar-Buzzing Film, ‘Green Book’