Falling In Love With Taylor Swift’s ‘Lover’
Why 100 Gecs Deserves To Be Taken Seriously
Charli XCX’s ‘Charli’ Is A Pop Album For The People
Rapsody Explains Why It Was Important For Her To Speak For Black Women On ‘Eve’
The Bravery And Dynamism Of Black Womanhood Was On Display In 2019’s Best Music
Lana Del Ray’s ‘Norman F*cking Rockwell’ Is A Disillusioned Vision Of Americana
Vampire Weekend’s ‘Father Of The Bride’ Was The Adult Pop Album That 2019 Needed
The Most Acclaimed Music Of 2019 Was Obsessed With The Apocalypse
On ‘Igor,’ Tyler The Creator Let Go Of The Past And Made His Best Album Yet
How Five Months On The Appalachian Trail Changed The Way I View Year-End Lists
The 2019 Uproxx Music Critics Poll
Sharon Van Etten’s ‘Remind Me Tomorrow’ Feels Miraculous To Even Exist
2018 Saw More Diversity In Music Critics’ Tastes Than Ever Before
On Two Incredible 2018 Projects, Lucy Dacus Wrote Herself Into Music History
Nothing Brought People Together In 2018 Like A Cardi B Song
In 2018 Donald Glover Was Crowned Music’s New ‘Racial Thought Leader’ — But What Exactly Does That Mean?
Ariana Grande’s Imperial Phase As A Pop Star Began In Earnest With ‘Thank U, Next’
Uproxx Music Critics Poll 2018: Songs