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Drake: Becoming ‘Certified Lover Boy’ – A Timeline
Vic Mensa Is Tapping Into A New Level Of Consciousness
Julien Baker Tells Us How She Made Her Best Album, ‘Little Oblivions’
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Director Craig Brewer On How ‘Coming 2 America’ Finally Became A Reality
Hawaiian Shirts, Technical Difficulties, And Apologies: Winners And Losers From The 2021 Golden Globes
The Rundown: Kathryn Hahn Does Not Miss
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The Reddit-GameStop Saga Is A ‘Billions’ Episode Happening In Real-Time
Indigenous Comedians Speak About The Importance Of Listening To Native Voices
Indigenous Representation Broke Into The Mainstream In 2020
Author/Historian Thomas Frank On Why The Democratic Party Needs To Reclaim Populism From Republicans
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The Essential Hot Sauces To Make 2021 Pure Fire
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A Review Of Pizza Hut’s New Detroit Style Pizza
We’re Picking The Coolest-Looking Bottles Of Booze On Earth
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MyCover: Arike Ogunbowale Is Redefining What It Means To Be A Superstar
Tony Hawk Still Embodies Skateboard Culture, From ‘Pro Skater 1+2’ To Everyday Life
Zach LaVine’s All-Star Ascension Has The Bulls In The Playoff Hunt
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Rucci’s Heartfelt ‘UPROXX Sessions’ Performance Implores You To ‘Believe In Me’
BRS Kash, DDG, And Toosii React To Adina Howard’s ‘Freak Like Me’ Video
‘Obsessed’: ‘Godzilla Vs. Kong,’ ‘Cruella,’ And More Spring Blockbusters We Can’t Wait To Watch
Talib Kweli & Gangsta Boo Talk Three 6 Mafia, Outkast, RTJ, ‘Hustle & Flow’
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2019 Uproxx Music Critics Poll
Falling In Love With Taylor Swift’s ‘Lover’
December 20, 2019
by:
Caitlin White
Why 100 Gecs Deserves To Be Taken Seriously
December 20, 2019
by:
Joshua Minsoo Kim
Charli XCX’s ‘Charli’ Is A Pop Album For The People
December 20, 2019
by:
Julia Gray
Rapsody Explains Why It Was Important For Her To Speak For Black Women On ‘Eve’
December 20, 2019
by:
Aaron Williams
The Bravery And Dynamism Of Black Womanhood Was On Display In 2019’s Best Music
December 19, 2019
by:
Andre Gee
Lana Del Ray’s ‘Norman F*cking Rockwell’ Is A Disillusioned Vision Of Americana
December 19, 2019
by:
Arielle Gordon
Vampire Weekend’s ‘Father Of The Bride’ Was The Adult Pop Album That 2019 Needed
December 19, 2019
by:
Matthew Perpetua
The Most Acclaimed Music Of 2019 Was Obsessed With The Apocalypse
December 19, 2019
by:
Steven Hyden
On ‘Igor,’ Tyler The Creator Let Go Of The Past And Made His Best Album Yet
December 19, 2019
by:
Karas Lamb
How Five Months On The Appalachian Trail Changed The Way I View Year-End Lists
December 19, 2019
by:
Grayson Haver Currin
The 2019 Uproxx Music Critics Poll
December 19, 2019
by:
Philip Cosores
Sharon Van Etten’s ‘Remind Me Tomorrow’ Feels Miraculous To Even Exist
December 19, 2019
by:
Michael Tedder