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Brockhampton’s Final Show Felt Like A Family Reunion
The Oral History Of Modest Mouse’s ‘The Lonesome Crowded West’ In Honor Of The Album’s 25th Anniversary
Farewell Elton John
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‘The Menu’ Is A Brilliantly-Realized Foodie Horror-Comedy
The Rundown: Please Let The Sweet Glistening Boys Of ‘Magic Mike’ Rob A Casino
‘Dead To Me’ Gave Us An Unapologetic View Into The Therapeutic Value Of Rage Metal
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How Bail Bag Helps The Formerly Incarcerated Get Back On Their Feet
Advice From A Finance Pro For How To Survive (And Thrive) In This Economy
Why We Shouldn’t Forget About The Game Stop Short Squeeze
Five Cities Where Latinx Street Art Is Alive And Well
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We’re Picking The Very Best Air Jordan IIIs Of All Time
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Now Playing: King Keegan – How Keegan Murray Became A Primetime Player For The Kings
Kyle Kuzma Is Letting His Strong Intention Lead On And Off The Court
Kaylee Hartung Is Thrilled To Be Back On The Sidelines With Thursday Night Football
Video/Podcasts
Talib Kweli & Aida Rodriguez On ‘Fighting Words,’ Colorism, Cancel Culture
Pink Siifu Brings Good Energy to UPROXX ‘Sessions’ with ‘Doin Tew Much’
Will.I.Am Explains How He Sampled One Of Black Eyed Peas’ Biggest Hits For One Of Usher’s
Coi Leray Explains Her Road To Virality For UPROXX’s ‘How I Blew Up’
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2019 Uproxx Music Critics Poll
Falling In Love With Taylor Swift’s ‘Lover’
December 20, 2019
by:
Caitlin White
Why 100 Gecs Deserves To Be Taken Seriously
December 20, 2019
by:
Joshua Minsoo Kim
Charli XCX’s ‘Charli’ Is A Pop Album For The People
December 20, 2019
by:
Julia Gray
Rapsody Explains Why It Was Important For Her To Speak For Black Women On ‘Eve’
December 20, 2019
by:
Aaron Williams
The Bravery And Dynamism Of Black Womanhood Was On Display In 2019’s Best Music
December 19, 2019
by:
Andre Gee
Lana Del Ray’s ‘Norman F*cking Rockwell’ Is A Disillusioned Vision Of Americana
December 19, 2019
by:
Arielle Gordon
Vampire Weekend’s ‘Father Of The Bride’ Was The Adult Pop Album That 2019 Needed
December 19, 2019
by:
Matthew Perpetua
The Most Acclaimed Music Of 2019 Was Obsessed With The Apocalypse
December 19, 2019
by:
Steven Hyden
On ‘Igor,’ Tyler The Creator Let Go Of The Past And Made His Best Album Yet
December 19, 2019
by:
Karas Lamb
How Five Months On The Appalachian Trail Changed The Way I View Year-End Lists
December 19, 2019
by:
Grayson Haver Currin
The 2019 Uproxx Music Critics Poll
December 19, 2019
by:
Philip Cosores
Sharon Van Etten’s ‘Remind Me Tomorrow’ Feels Miraculous To Even Exist
December 19, 2019
by:
Michael Tedder
