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will.i.am Launches FYI, The World’s First AI-Powered Messenger For Creative Collaboration
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ODESZA Unveil Part Two Of Their Massive ECHOES Buildout With SETUP & SNAPDRAGON
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Venice 2013
Jaw-dropping Venice awards make a defiant anti-mainstream statement
September 8, 2013
by:
Guy Lodge
Upset in Venice as Italian doc ‘Sacro GRA’ takes Golden Lion, Steve Coogan wins screenplay
September 7, 2013
by:
Guy Lodge
‘Philomena’ dominates preliminary Venice awards, as ‘Tom at the Farm’ takes critics’ prize
September 7, 2013
by:
Guy Lodge
Venice awards preview: What will win, and what should
September 6, 2013
by:
Guy Lodge
Review: Dakota Fanning and Jesse Eisenberg make slow, steady ‘Night Moves’
September 4, 2013
by:
Guy Lodge
Venice: American tricksters under scrutiny in ‘The Armstrong Lie’ and ‘The Unknown Known’
September 4, 2013
by:
Guy Lodge
First glimpse of Scarlett Johansson in the stunning ‘Under the Skin’
September 3, 2013
by:
Guy Lodge
Review: Terry Gilliam’s ‘The Zero Theorem’ doesn’t add up to much
September 2, 2013
by:
Guy Lodge
The Weinstein Company chases after ‘Tracks’
September 1, 2013
by:
Guy Lodge
Review: Tawdry JFK drama ‘Parkland’ an exercise in sorely misjudged nostalgia
September 1, 2013
by:
Guy Lodge
Review: Love and aeronautics converge in Miyazaki’s ravishing ‘The Wind Rises’
September 1, 2013
by:
Guy Lodge
Review: Judi Dench on touching form in reductive but effective ‘Philomena’
August 31, 2013
by:
Guy Lodge
Review: Nicolas Cage finds no Southern comfort in grim, grimy ‘Joe’
August 30, 2013
by:
Guy Lodge
Review: Sion Sono’s ‘Why Don’t You Play in Hell?’ offers carnage in the name of cinema
August 29, 2013
by:
Guy Lodge
Review: Mia Wasikowska blazes a subdued trail in lovely, earthy ‘Tracks’
August 29, 2013
by:
Guy Lodge
Review: Sandra Bullock dances into great silence in Alfonso Cuarón’s astonishing ‘Gravity’
August 28, 2013
by:
Guy Lodge
Venice preview, part four: ‘The Zero Theorem,’ ‘Joe,’ ‘Tracks,’ ‘Via Castellana Bandiera,’ ‘Sacro GRA’
August 26, 2013
by:
Guy Lodge
Venice preview, part three: ‘Under the Skin,’ ‘Night Moves,’ ‘Tom at the Farm,’ ‘Ana Arabia,’ ‘The Police Officer’s Wife’
August 25, 2013
by:
Guy Lodge