‘Glee’ musical recap: Mr Schuester, Rachel, Finn sing it like they mean it in ‘Ballad’

11.19.09 8 years ago

It truly is “New Moon” week, as Kristen Stewart”s ever-present “I”m gonna throw up” facial expression in the “Twilight” films seemed to serve as an inspiration to the characaters on this weeks “Glee.”

“Ballad,” aired last night (Nov. 18) was chock full of uncomfortable, scary and downright barf-worthy moments, as Rachel developed a flash crush on Mr. Schuester, Finn gets caught singing to a sonogram by his mom, Kurt tries to reveal his “Endless Love” for Finn, and Quinn and Finn come clean about her pregnancy to her parents.

Mr. Schuester wants to prep Glee for sectionals by having them learn ballads, so he randomly pairs everyone up with singing partners, with the unfortunate fortune that puts Rachel with him. She goes from zero to stalker in about 15 minutes, but little does she know that Schue has dealt with schoolgirl crushes before. The worst of them was Suzy Pepper, who tried to kill herself with, well, a really hot pepper, upon discovering her love for Mr. Schuester was unrequited. After years of psychotherapy and “an esophagus transplant,” she makes a cameo to warn Rachel that her unrealistic crush on someone as unattainable as her own teacher was just a sign of poor self-esteem.

Realizing the err o” her ways (even after an attempt of 1998 Jennifer Paige single “Crush”) Rachel apologizes to Schue for behaving like she did and references Elton John”s 1976 ballad “Sorry Seems to Be the Hardest Word” – a sweet idea, except that the lyrics to that track are still, well, a little Dr. Stalky.

We were kind of hoping for a Suzy song number (Patsy Cline”s “Crazy,” perhaps), but alas, she only gets to rock Extreme”s “More than Words” on her way to imminent death.

At Kurt”s urging, Finn gets in touch with his feelings about his unborn child, which in turn spurs him to tell Quinn”s parents about the pregnancy when he”s invited to dinner. The ex-Cheerio”s mom already had her suspicions, though, when Quinn”s Chastity Ball gown (really?) wouldn”t zip up like it should. Still, mom showed no defense for her daughter when dad flew off the rails, disowned Quinn and kicked her out of the house.

Oh, if only Finn had devised a song, instead, about the dubious means by which he “impregnated” Quinn (pre-ejaculation swimming in a hot tub all the way to Quinn”s uterus? Let”s step up the sex-ed, Ohio), then he and the Quinn Parentals would have a good laugh – while Quinn would still be kicked out of the house and into the loving arms of the real swimmers-giver, Puck. Instead, she”s able to stay at Finn”s, as his widowed mom invites her to “stay as long as you want.”

Finn gave us our new “out” line when he”s calling Kurt in the bathroom (“I have to go, they”ll think I”m pooping”), and we appreciate the Billboard chart ref, “If we were gonna rank crush-worthy teachers at the school, you”d be number one with a bullet,” from guidance counselor Emma.

The band poster over Finn”s bed was for Dashboard Confessional headlining Thrice opening, a tour that occurred in 2004. That puts Finn five years younger when he went… good thing that was an all-ages stint.

Kudos to writers, too, for correctly aligning “pop” with Ohio in the great soda v. pop debate.

“Endless Love”

We get a song early on in the ep as Rachel shows the class how a ballad is done. The natural go-to is this track, sung originally in 1981 by Diana Ross and Lionel Richie. It was a theme to a movie starring Brooke Shields, but also had its cheesiness mocked in Adam Sandler’s “Happy Gilmore.” (“Friends listen to ‘Endless Love’ in the dark!”)

A fun side note: “Endless Love” was only the second-biggest single that year, while Olivia Newton-John’s “Physical” beat them out. That singer rears her head at the end of this episode, when Kurt tries to tell Finn that he’s in love with him, saying that he’s chosen the Oli-ballad “I Honestly Love You” (released in 1974).

We dedicate this slow dance to you, Kurt and Finn!

“I’ll Stand By You”

(13:05 in full episode below.)

Kurt blames all of Finn’s problems on girls shortly before suggesting Finn sing a song to his unborn child, “I’ll Stand By You” by the Pretenders. The words flow as he gently caresses his computer, which is playing the sonogram of his unborn daughter. Mom catches him, or “catches” him, he tells all.

This track isn’t nearly as vintage as Diana and Elton, as it was released in 1994, but still it was that band’s biggest hit. I think I remember bandleader Chrissie Hyde taking care of sick dude in the music video released back then, but damn if I can’t find the thing in the internet ether…

“Don’t Stand So Close To Me”/”Young Girl”


Trying to ward off Rachel’s love, Schue sings a mash-up of two “you’re too young for me” songs. She ends up misinterpretting the message nonetheless.

The former, done by The Police, was a cautionary tale of a teacher getting involved with his “young subject” who has a crush on him, inspired in part by “that famous book by Nabakov,” “Lolita.”

The latter was done at the end of the ’60s by Gary Puckett & the Union Gap. It, too, only made it to No. 2 on the Hot 100 chart, bless its heart. “Young Girl, get out of my mind / My love for you is way out of line” is a little off-message for this purpose, but Rachel wasn’t gonna get the point, regardless.

“(You’re Having) My Baby”


 This simultaneously horrendous and sentimental number was sung by Finn to Quinn’s parents to send ’em a message, and was penned and performed by Paul Anka, a duet with Odia Coates. It was released in 1974.

Not nearly as bad as R. Kelly’s “Pregnant.” At all. I mean, really. But it’s up there.

“Lean on Me”


Oh man, who hasn’t used this song. There’s no other that quite conveys the group jam mentality as this 1972 Bill Withers classic. The Glee club sings this one to Finn and Quinn to show them their support through this difficult time, with another Mercedes/Artie pair-off. A little forced in this episode, but if there ever was a show that’s a driver for a track like this, it’s “Glee.”

It evokes, too, another school scene that used the tune: in the Morgan Freeman-starring 1989 film by the same name. If you don’t get goosebumps watching it in its context, you have no heart. Maybe Mr. Schuester’s arch nemesis Sue could use a little “Lean on Me.”

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