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Brockhampton’s Final Show Felt Like A Family Reunion
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Farewell Elton John
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Talib Kweli & Aida Rodriguez On ‘Fighting Words,’ Colorism, Cancel Culture
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Elias Leight
RSS
On Ashley McBryde’s ‘Girl Going Nowhere,’ A Country Songwriter Finds Salvation in Rock and Roll
March 30, 2018
by:
Elias Leight
How SZA’s Massive Success Marks A Turning Point For Women In R&B
March 29, 2018
by:
Elias Leight
Rap Producers Run Pop, So Why Won’t The Grammys Notice?
January 25, 2018
by:
Elias Leight
Music Critics And Grammy Voters Are More Similar Than You Think
January 24, 2018
by:
Elias Leight
How The Grammy Awards Routinely Get Country Music Wrong
January 22, 2018
by:
Elias Leight
On Anderson East’s ‘Encore,’ An Aspiring Soul Singer Steps Into His Own
January 16, 2018
by:
Elias Leight
All The Best Country Albums Of 2017, Ranked
December 7, 2017
by:
Caitlin White
and
Elias Leight
Lee Ann Womack’s ‘The Lonely, The Lonesome & The Gone’ Is A Country Legend At Her Finest
October 30, 2017
by:
Elias Leight
Carly Pearce’s ‘Every Little Thing’ Is The Most Exciting Country Debut Of 2017
October 11, 2017
by:
Elias Leight
Epic Tour Bus Stories That Prove Country Musicians Are The Wildest Artists Of All
September 18, 2017
by:
Elias Leight
Presented By
Cinemax
These Country Artists Defined The Outlaw Image
September 11, 2017
by:
Elias Leight
Presented By
Cinemax
On Kip Moore’s ‘Slowheart,’ A Country Outcast Finds Home In ’80s FM Radio Gold
September 7, 2017
by:
Elias Leight
