Caitlin White

Pop Music Critic at Uproxx.

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Blackpink’s Campy, Club-Ready Debut Is Stuffed With Hip-Hop Beats, K-Pop Hooks, And Plenty Of Swagger

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Fleet Foxes’ Robin Pecknold Tells Us What Went Into Their Surprise Fourth Album, ‘Shore’

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Is There Anything Rising Indie-Pop Star Mxmtoon Can’t Do?

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What Is The Future Of Music Festivals?

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All The Iconic, Surreal Pop Music Moments At The 2020 MTV VMAs

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Dominic Fike’s Twisted Debut ‘What Could Possibly Go Wrong’ Is Dark-Pop Pathos

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The Best Beyonce Songs, Ranked

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The Chicks’ Towering New Album ‘Gaslighter’ Is An All-American Reckoning

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Jaime Wyatt’s Rambling LA Classic ‘Neon Cross’ Is 2020’s Must-Hear Country Album

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Lady Gaga’s Emotional, Club-Ready ‘Chromatica’ Is A Return To Form

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Carly Rae Jepsen’s ‘Dedicated’ B-Sides Hits A Sweet Spot For Fans

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Charli XCX’s Glitchy And Chaotic Quarantine Album Is Her Best Work To Date

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Perfume Genius Chases Huge Emotions On His Searing New Album, ‘Set My Heart On Fire Immediately’

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Kim Petras On The ‘Superstar-Feeling Pop’ Of Her Sunny New Era

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Rina Sawayama’s Self-Titled Debut Is The Perfect Album For Quarantine

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The Most Memorable PlayOn Fest Performances By Nipsey Hussle, Cardi B, Charli XCX, And More

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Korean-American Producer Yaeji’s Bilingual Mixtape, ‘What We Drew,’ Is Full Of Gloomy Optimism

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John Prine’s Generous Spirit Bridged Generations

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