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Everyone Really Hates 'A Good Day to Die Hard'

By / 02.13.13

Only an idiot would expect a fifth Die Hard movie directed by the guy who did Max Payne and Flight of the Phoenix to be any good, but it’s still impressive the degree to which it’s been able to limbo under even the lowest of low expectations. And you need only read reviews for 5 Fast 5 Furious or The Last Stand to see how willing critics are to praise a film just for fulfilling the basement-level expectations set by their own marketing. While only seven reviews are in so far (and I made Laremy a deal where I’d have to see this if he’d see Inside the Mind of Charles Swan, so look forward to that), A Good Day to Die Hard is currently pitching a perfect Bucky Larson. For the uninitiated, that’s like a knuckleball that no one can hit because it’s so sucky.

Everything that made the first “Die Hard” memorable — the nuances of character, the political subtext, the cowboy wit — has been dumbed down or scrubbed away entirely. -AO Scott, NY Times

Loud and tedious, “Die Hard” 5 is a shaky-cam/Sensurround blast of bullets and bombs, digital explosions and death defying feats of defying death. Not a decent villain or catchphrase in it  -Roger Moore, McClatchy

Hired hack John Moore taps into the McClane mythology to drain any lingering humanity from the Die Hard series. -John Semley, Slant

A complete waste of time on every level. Loud, obnoxious, boring, cartoonish, morally reprehensible, and just plain stupid. -Brian Tallerico, HollywoodChicago

An asinine, immobile feature that’s dripping with trendy cinematography and toxic banter, while a visibly bored Bruce Willis hobbles through this dud, putting in the least amount of effort possible. -Brian Orndorf, Blu-Ray.com

There’s no artistry to Moore’s work, he’s simply a factory employee who knows how to work a punch press, and his take on the world of “Die Hard” is dispiriting and borderline offensive. -Brian Orndorf, Blu-Ray.com

I can’t decide which scenario is more exciting, Die Hard maintaining its perfect zero percent rating, or reading the barely-perceptible praise from the first critics to rate it “recommended.” On another note, I’m a little sad that so far, no one’s gone with the obvious New York Post-ready headline, “Ho Ho No.”


TAGSA GOOD DAY TO DIE HARDBUCKY LARSONDcriticsEVERYONE'S A CRITICJOHN MOORESCHADENFREUDEZERO PERCENT ON ROTTENTOMATOES

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