Frank Marshall has, by this point in his career, achieved “legendary producer and filmmaker” status. If, somehow, you aren’t familiar with Marshall, you probably love a lot of the movies he’s worked on, films like Raiders of the Lost Ark, Back to the Future, Jurassic Park, The Color Purple, — the list truly goes on and on and on. But he may have just pulled off his greatest feat.
You see, way back in the early 1970s, one of Marshall’s early jobs was working on Orson Welles’s The Other Side of the Wind. Little did Marshall know back then that The Other Side of the Wind wouldn’t see the light of day until 2018. (Where it just played this week at the New York Film Festival.)
The story of The Other Side of the Wind is long and somewhat tedious and complicated. To sum it up in one sentence: there are a lot of people who claimed to have the rights to the unfinished film and it took about 40 years to sort that all out. Now, here we are. The film itself is basically a Christopher Guest-style mockumentary about a director (played by Jon Huston) who made a bizarre avant-garde film called The Other Side of the Wind that he’s trying to convince colleagues is a work of genius. Also, as Marshall says ahead, Orson Welles would make everyone take a break from filming every day so that he could watch reruns of The Dick Van Dyke Show. Also, at one point Marshall had to find a human skeleton because Welles wanted a human bone for the movie.
Ahead, Marshall talks about the movie that he’s been technically working on longer than any other. Also, he tells us what movie in his filmography people would talk about more (hint, it stars Christian Bale), and explains why the love of The Goonies is still a bit baffling to him. He also insists that, despite the delays, Indiana Jones 5 will be happening.
I can’t believe we’re talking about this movie.
Isn’t it incredible? Neither can I.
Without Netflix does this movie exist?
No. It doesn’t. There’s no way it exists. There’s no way it exists the way we were able to do it, which was everything we wanted. There is a way for someone to come in and say, “I’m gonna give you X amount of dollars,” and you just have to make that work. They stepped up every time.