Getting Beaten Up By Al Pacino, And 9 Other Times Henry Rollins Thrived As A Serious Actor

02.13.15 3 years ago 12 Comments

Twentieth Century Fox

Henry Rollins is a jack of all trades. Whether he’s singing in Black Flag, driving a Hummer in Jackass: The Movie, or doing stand-up, the 54-year-old badass has been all over the place in his decades-long career. A career that, among these many notches in the belt, also includes several bouts of “serious acting” in (mostly) “serious films.”

Movies like Heat and Lost Highway, directed by the likes of Michael Mann and David Lynch, and starring highly-acclaimed actors like Al Pacino and Bill Pullman. Turns out, Rollins was along for the ride, too. The man has starred in a lot of films, documentaries, and television shows, so this list of Rollins’ ten best attempts at serious acting relies solely on his work in dramatic films.

Kiss Napoleon Goodbye

One of Rollins’ first films is one you’ve likely never seen or heard of for a very important reason. Kiss Napoleon Goodbye received a limited 1990 release in the Netherlands. Auteur director Babeth VanLoo’s film features Rollins as a man named Jackson, the third wheel in a surreal tryst that goes down at a couple’s secluded mansion. It’s bad, but it’s not The Room-bad.

The Chase

The Chase includes such delights as Kristy Swanson vomiting all over a police cruiser’s windshield, Wayne Knight-lookalike Josh Mostel, and Rollins’ character Dobbs simulating what appears to be prison rape on a handcuffed Charlie Sheen.

Johnny Mnemonic

Rollins’ turn as the techie Spider in the Keanu Reeves vehicle Johnny Mnemonic is all too brief, but the increasingly agitated musician-turned-actor displays more emotion in 30 seconds than most of his acting counterpart’s entire career. Or, at least he yells a lot.


Al Pacino beating the hell out of Henry Rollins during an unsanctioned police interrogation. Repeat, Pacino kicking Rollins’ ass all over his swank apartment. Drops the mic.

Lost Highway

David Lynch wrote and directed Lost Highway, which is pretty much all you need to know about the film. While Bill Pullman’s Fred Madison undergoes his incredibly awkward prison-bound transformation, Rollins’ prison guard takes it all in on the sidelines. Maybe he remembers Dobb’s prison rape jokes from The Chase.

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