Chadwick Boseman And Competent Camera Work Make ’21 Bridges’ A Delightful B-Movie Throwback
‘Knives Out’ Is A Shockingly Intricate Whodunnit Filled With Wild Twists And Silly Accents
‘The Report’ Is An Explosive Political Thriller About Exposing The CIA’s Torture Program
‘Honey Boy’ Is Shia LaBeouf’s Intense And Mesmerizing Movie Memoir
Netflix’s ‘The King’ Nails ‘Shakespearian Epic’ By Ditching Shakespearian Language
Nic Cage Is Trapped On A Boat With A Terrorist And An Albino CGI Jaguar In His Latest Movie, ‘Primal’
‘Terminator: Dark Fate’: The Good, The Bad, And The Indifferent
‘Dolemite Is My Name’ Might Be The Perfect Netflix Movie, And The Ideal Eddie Murphy Comeback Vehicle
‘The Laundromat’ Is Steven Soderbergh’s Relatable Failure To Recreate ‘The Big Short’
‘Zombieland: Double Tap’ Is A Largely Joyless Collection Of Pop Culture Tropes
‘The Lighthouse’ Is Exactly Like Being Trapped In A Lighthouse With Willem Dafoe
‘Jojo Rabbit’ Is Little Too Cute By Half, But It Certainly Has Its Moments Of Inspired Absurdity
A Brilliant Meditation On Class And Status, ‘Parasite’ Is One Of 2019’s Best Films
The Only Thing Wrong With ‘Joker’ Is That It’s About The Joker
‘Low Tide’ Is A Beautifully Shot, Compelling Coming-Of-Age Film Set At The Jersey Shore
‘The Death Of Dick Long’ Might Be The Best Movie Of The Year
‘Ad Astra’ Is A Majestic, But Frustrating Epic
‘Rambo: Last Blood’ Is A Rollicking Good Time Of Hyper-Violent Xenophobic Revenge Fantasies