Filmdrunk Reviews

In ‘Borat Subsequent Moviefilm,’ The ‘Victims’ Have Become The Performers
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Bill Murray Almost Carries ‘On The Rocks,’ Sofia Coppola’s Tale Of Rich People Behaving Blandly
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Robert De Niro’s ‘The War With Grandpa’ Is No ‘Raging Bull,’ Obviously
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‘Charm City Kings’ Is ’12 O’Clock Boys’ Meets ‘Bronx Tale’ With A Star Turn From Meek Mill
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‘Dick Johnson Is Dead’ Is The Most Life-Affirming Movie About Death And Dementia You’ll Ever See
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‘2067’ Tries To Solve A Climate Change-Induced Pandemic Dystopia — With Time Travel
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Netflix’s ‘The Devil All The Time’ Is A Spellbinding, Brilliantly Cast Hillbilly Gothic
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The Ending Of ‘The Usual Suspects’ Still Wows, 25 Years Later
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Charlie Kaufman’s ‘I’m Thinking Of Ending Things’ Is An Insular, Mystifying Experiment
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An Extremely Definitive Ranking Of Christopher Nolan Movies
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‘Tesla’ Is A Biopic That Feels Part Aaron Sorkin, Part Sofia Coppola
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A Chat About ‘Love On The Spectrum,’ The Greatest Dating Show Ever Made, With Director Cian O’Clery
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Russell Crowe Is A Road-Raging Alex Jones In The Sweaty Thriller ‘Unhinged’
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A Chilling New Vision Of Hell Exists In Netflix’s Rascal Flatts Reality Show, ‘DeMarcus Family Rules’
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‘Boys State’ And ‘The Swamp’ Are The Perfect Why-America-Is-Totally-Screwed Double Feature
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‘Arrival’ Meets ‘Alien’ In ‘Sputnik,’ A Moody New Alien Thriller From Russia
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Shia LaBeouf Got His Chest Tattooed For *This*? ‘The Tax Collector’ Is A Dour Mexploitation Disaster
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‘An American Pickle’ Is Seth Rogen’s Truly Inspired Jewish ‘Encino Man’
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