In ‘Borat Subsequent Moviefilm,’ The ‘Victims’ Have Become The Performers
Bill Murray Almost Carries ‘On The Rocks,’ Sofia Coppola’s Tale Of Rich People Behaving Blandly
Robert De Niro’s ‘The War With Grandpa’ Is No ‘Raging Bull,’ Obviously
‘Charm City Kings’ Is ’12 O’Clock Boys’ Meets ‘Bronx Tale’ With A Star Turn From Meek Mill
‘Dick Johnson Is Dead’ Is The Most Life-Affirming Movie About Death And Dementia You’ll Ever See
‘2067’ Tries To Solve A Climate Change-Induced Pandemic Dystopia — With Time Travel
Netflix’s ‘The Devil All The Time’ Is A Spellbinding, Brilliantly Cast Hillbilly Gothic
The Ending Of ‘The Usual Suspects’ Still Wows, 25 Years Later
Charlie Kaufman’s ‘I’m Thinking Of Ending Things’ Is An Insular, Mystifying Experiment
An Extremely Definitive Ranking Of Christopher Nolan Movies
‘Tesla’ Is A Biopic That Feels Part Aaron Sorkin, Part Sofia Coppola
A Chat About ‘Love On The Spectrum,’ The Greatest Dating Show Ever Made, With Director Cian O’Clery
Russell Crowe Is A Road-Raging Alex Jones In The Sweaty Thriller ‘Unhinged’
A Chilling New Vision Of Hell Exists In Netflix’s Rascal Flatts Reality Show, ‘DeMarcus Family Rules’
‘Boys State’ And ‘The Swamp’ Are The Perfect Why-America-Is-Totally-Screwed Double Feature
‘Arrival’ Meets ‘Alien’ In ‘Sputnik,’ A Moody New Alien Thriller From Russia
Shia LaBeouf Got His Chest Tattooed For *This*? ‘The Tax Collector’ Is A Dour Mexploitation Disaster
‘An American Pickle’ Is Seth Rogen’s Truly Inspired Jewish ‘Encino Man’