Filmdrunk Reviews

Netflix’s ‘Uncorked’ Is A Sweet, Lightly Diverting Comedy About An Aspiring African-American Sommelier
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First Mass Shootings, Then A Pandemic: Is ‘The Hunt’ The Most Cursed Release Of All Time?
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‘Bloodshot’ Is Another Fun Action Movie Ruined By Bad Camera Work
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‘The Way Back’ Should’ve Been A Sequel To ‘The Accountant’
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Glenn Danzig Establishes Himself As The Goth Tommy Wiseau With His Directorial Debut, ‘Verotika’
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‘Onward’ Is Pixar’s First Movie That Feels Like An Attempt To Repeat A Formula
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All Hail Leigh Whannell, Our New King Of Elevated Schlock
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In ‘Greed,’ Michael Winterbottom And Steve Coogan Trade ‘The Trip’ Escapism For Adam McKay-Style Satire
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‘Love Is Blind’ On Netflix Is The Next Unconscionably Watchable Dating Show
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‘Portrait Of A Lady On Fire’ Is Haunting, Ethereal Slow Burn Of A Love Story
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‘Birds Of Prey’ Is Strangely Written But Features Some Of Comic Book Cinema’s Greatest Stunts And Acting
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An Unironic ‘La La Land’ Set In 1950s Harlem, ‘Sylvie’s Love’ Is Damn Near Perfect
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See Toni Collette Welsh On A Horse Bet In Sundance’s ‘Dream Horse’
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Carrie Coon Absolutely Shines In Sundance’s ‘The Nest’
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‘Charm City Kings’ Is ’12 O’Clock Boys’ Meets ‘Bronx Tale’ With A Star Turn From Meek Mill
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‘Ironbark’ Stars Benedict Cumberbatch In A Homoerotic Tale Of Cold War Espionage
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Viggo Mortensen’s Directorial Debut About A Problematic Grandpa, ‘Falling,’ Premieres At Sundance
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‘Zola’ Is An Extremely Online Tale Of Strippers, Sex Crimes, And Tweet Threads That Sundance Audiences Can’t Stop Talking About
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