Tyler Perry’s ‘A Fall From Grace’ Is A Must-Watch, Tommy Wiseau-Esque Classic
Vince Mancini’s 19 Favorite Movies Of 2019
‘Just Mercy’ Sells Hope To A World In Desperate Need Of Strategy
Greta Gerwig’s ‘Little Women’ Is A Shockingly Good Adaptation And Proof That ‘Lady Bird’ Was No Fluke
‘1917’ Is A Single Shot Sizzle Reel Of WWI’s Horrors
‘Richard Jewell’ Is A Grouchy Rant Disguised As A Hero’s Story — And A Shameful Character Assassination
‘Uncut Gems’ Is The Extremely Jewish Version Of ‘Bad Lieutenant’ Starring Adam Sandler You Never Knew You Wanted
Chadwick Boseman And Competent Camera Work Make ’21 Bridges’ A Delightful B-Movie Throwback
‘Knives Out’ Is A Shockingly Intricate Whodunnit Filled With Wild Twists And Silly Accents
‘The Report’ Is An Explosive Political Thriller About Exposing The CIA’s Torture Program
‘Honey Boy’ Is Shia LaBeouf’s Intense And Mesmerizing Movie Memoir
Netflix’s ‘The King’ Nails ‘Shakespearian Epic’ By Ditching Shakespearian Language
Nic Cage Is Trapped On A Boat With A Terrorist And An Albino CGI Jaguar In His Latest Movie, ‘Primal’
‘Terminator: Dark Fate’: The Good, The Bad, And The Indifferent
‘Dolemite Is My Name’ Might Be The Perfect Netflix Movie, And The Ideal Eddie Murphy Comeback Vehicle
‘The Laundromat’ Is Steven Soderbergh’s Relatable Failure To Recreate ‘The Big Short’
‘Zombieland: Double Tap’ Is A Largely Joyless Collection Of Pop Culture Tropes
‘The Lighthouse’ Is Exactly Like Being Trapped In A Lighthouse With Willem Dafoe