A Brilliant Meditation On Class And Status, ‘Parasite’ Is One Of 2019’s Best Films

The Only Thing Wrong With ‘Joker’ Is That It’s About The Joker

‘Low Tide’ Is A Beautifully Shot, Compelling Coming-Of-Age Film Set At The Jersey Shore

‘The Death Of Dick Long’ Might Be The Best Movie Of The Year

‘Ad Astra’ Is A Majestic, But Frustrating Epic

‘Rambo: Last Blood’ Is A Rollicking Good Time Of Hyper-Violent Xenophobic Revenge Fantasies

‘Hustlers’ Is ‘Goodfellas’ In G-Strings, And J.Lo Is Perfect In It

John Travolta Becomes The New Nic Cage In Fred Durst’s Tragically Watchable ‘The Fanatic’

The Ridiculousness Of ‘IT Chapter Two’ Is Its Soul

In ‘Ready Or Not,’ Wealth Is A Birthright, A Curse, And A Kink — The Horror Counterpart To ‘Succession’

‘Angel Has Fallen’ Could Benefit From Less Shaky Cam And More Skull-Stabbing

‘Hobbs & Shaw’ Is Another Glorious Celebration Of Absurd Excess

‘Once Upon A Time In Hollywood’ Is Tarantino’s (Anti-Hippie) Ode To The ’60s, And We’re Happy To Take The Ride

Disney’s New ‘The Lion King’ Is A Weird Movie From Top To Bottom

‘The Art Of Self-Defense’ Is An Off-Beat, Awkward Riff On Toxic Masculinity

‘Yesterday’ Is A Profoundly Terrible Waste Of A Great Premise

‘Midsommar’ Is A Wild And Wooly Masterpiece

‘Child’s Play’ Is Funny And Gory But Misses A Golden Opportunity To Be Relevant