Filmdrunk Reviews

Tyler Perry’s ‘A Fall From Grace’ Is A Must-Watch, Tommy Wiseau-Esque Classic
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Vince Mancini’s 19 Favorite Movies Of 2019
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‘Just Mercy’ Sells Hope To A World In Desperate Need Of Strategy
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Greta Gerwig’s ‘Little Women’ Is A Shockingly Good Adaptation And Proof That ‘Lady Bird’ Was No Fluke
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‘1917’ Is A Single Shot Sizzle Reel Of WWI’s Horrors
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‘Richard Jewell’ Is A Grouchy Rant Disguised As A Hero’s Story — And A Shameful Character Assassination
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‘Uncut Gems’ Is The Extremely Jewish Version Of ‘Bad Lieutenant’ Starring Adam Sandler You Never Knew You Wanted
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Chadwick Boseman And Competent Camera Work Make ’21 Bridges’ A Delightful B-Movie Throwback
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‘Knives Out’ Is A Shockingly Intricate Whodunnit Filled With Wild Twists And Silly Accents
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‘The Report’ Is An Explosive Political Thriller About Exposing The CIA’s Torture Program
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‘Honey Boy’ Is Shia LaBeouf’s Intense And Mesmerizing Movie Memoir
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Netflix’s ‘The King’ Nails ‘Shakespearian Epic’ By Ditching Shakespearian Language
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Nic Cage Is Trapped On A Boat With A Terrorist And An Albino CGI Jaguar In His Latest Movie, ‘Primal’
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‘Terminator: Dark Fate’: The Good, The Bad, And The Indifferent
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‘Dolemite Is My Name’ Might Be The Perfect Netflix Movie, And The Ideal Eddie Murphy Comeback Vehicle
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‘The Laundromat’ Is Steven Soderbergh’s Relatable Failure To Recreate ‘The Big Short’
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‘Zombieland: Double Tap’ Is A Largely Joyless Collection Of Pop Culture Tropes
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‘The Lighthouse’ Is Exactly Like Being Trapped In A Lighthouse With Willem Dafoe
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