Filmdrunk Reviews

‘The Green Knight’ Is An Abstract, Spooky, Unforgettable Head-Trip
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‘Jungle Cruise’ Combines Metallica, Werner Herzog References, And Pro Wrestling To Surprisingly Good Effect
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The Michael Jordan PR Machine In Action: Thoughts On ‘Space Jam’ From A ‘Space Jam’ Virgin
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‘Roadrunner’ Sees Anthony Bourdain Chasing An Illusion, While We In Turn Chase The Illusion Of Anthony Bourdain
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Attack Of The Killer Cicadas!: ‘Alien’ Meets ‘Armageddon’ In The Big, Dumb, Beautiful ‘The Tomorrow War’
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Steven Soderbergh’s ‘No Sudden Move’ Is A Stylish Nothing Burger About Men In Hats
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‘A Quiet Place Part II’ Brings Back Old School Suspense One Leaf Crunch At A Time
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Hulu’s ‘Plan B’ Combines ‘Raunchy Teen Sex Comedy’ With The ‘Very Special Episode’
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It’s Time To Talk About ‘Those Who Wish Me Dead,’ The Angelina Jolie Smokejumper Movie
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Mikey Alfred’s Gorgeous Debut ‘North Hollywood’ Gives Gen Z LA Skaters The ‘American Graffiti’ Treatment
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Billy Crystal And Tiffany Haddish Star In ‘Here Today,’ A Middling Attempt At A Woody Allen-Lite Rom-Com
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‘Wrath Of Man’ Reteams Jason Statham And Guy Ritchie In A Compellingly Weird Clash Of Styles
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Tom Clancy And Taylor Sheridan Collide In Whatever ‘Without Remorse’ Is Supposed To Be
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With The 2021 Oscars, 2020 Finally Died An Overdue Drawn Out Death
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‘Mortal Kombat’ Is Pointless, Idiotic, Gross, And Fun
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Netflix’s ‘Stowaway’ Is A Nerve-Wracking ‘Sophie’s Choice’ In Space
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‘Kid Candidate’ Is An Offbeat, Heartwarming Documentary About Our Inexorably Broken Political System
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The Space Teens Are Dangerously Horny In Neil Burger’s Scattered, Lord Of The Flies-Esque ‘Voyagers’
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