Required Hip-Hop For The Top 30 Players In The 2012 NBA Draft

06.15.12 5 years ago
Thomas Robinson

Thomas Robinson (photo. Jeff Jacobsen/Kansas Athletics)

With the NBA Draft Lottery taking place, everyone has a better idea where likely draftees will land come June 28, 2012. Here at Dime, we’ve already begun our full-fledge draft coverage. Catch up on player profiles like Harrison Barnes, the weekly diary of Dion Waiters, and our latest mock draft. All of these features provide a glimpse into what to expect from the incoming influx of ballers. Yet, the perpetual interrelationship between hip-hop and hoopin’ can’t be overlooked.

The following playlist should bring one closer to the potential first-round prospects through the single joint that captures the type of player they are now, and the one they are about to become.

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Kanye West – “Mercy” (feat. Big Sean, Pusha-T and 2 Chainz)
“Mercy” is the first known track in the much-anticipated G.O.O.D. Music album to be released later this year. Like Yeezy being the ringleader of arguably the best label in the rap game, Anthony Davis led his fellow No. 1 recruiting class and the Kentucky Wildcats to winning the NCAAs while sweeping most accolades for national player of the year along the way. His menacing unibrow and defensive timing for blocks will be coming as fast as the Lamborghini Murcielago tweeted by Ye’ the other day. With Davis as N’awlins’ foundation, the entire league will soon hear him scream: “When it comes to my sound which is the champion sound, believe!”

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Wale – “No Days Off”
He played his first two years at Kansas under the shadows of the Morris twins. When the spotlight was at its highest, Thomas Robinson recorded a monster 18 points and 17 boards double-double versus Kentucky during the title game. Since his freshman year, he’s been working hard to reach the point where he’s at now. Wale didn’t start to get his real due either until he left Hov‘s presence. Robinson’s tireless work ethic isn’t going to change any time soon. Thus, these D.C. natives share the same drive that’s conveyed when Wale spits these lines:

When you reachin’ your dreams
You got a reason to brag
Ambition over everything
And I never plan on settling

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Game – “Hustlin’ (Championship Anthem)”
Michael Kidd-Gilchrist is widely known as the intangible guy that brought all the Wildcats together to accomplish their ultimate goal. What he lacks in offensive game, he more than makes up for it through doing everything that’s left off the box score. And while there are a lot of rap joints that talk about hustlin’, this Game version on his Brake Lights mixtape was slept on by most hip-hop heads and depicts Kidd-Gilchrist’s mindset as far as how he plans to leave his imprint on the NBA franchise that selects him. So, it wouldn’t be wise to dismiss Kidd-Gilchrist as limited offensively just yet, especially considering this verse from Game:

How the f@#% you think I got the name Game
Same way the Lakers got all them f@#%ing rings

Public Enemy – “He Got Game”
He can’t escape the comparison. Bradley Beal’s jumper is too pure and automatic that the link with Ray Allen is a mirror reflection. Hell, Spike Lee might as well have the camera crews ready to film a He Got Game sequel. As much as fans love to associate a prospect to a player already in the league, Beal is the safest bet to actually resemble his lofty Jesus Shuttlesworth model. That said, one can easily envision Beal in the same Coney Island playground, shooting the same jumpers as Allen did after the film’s opening montage with this jam playing in the backdrop…

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Kid Cudi – “Live and Learn”
The longer a player stays in college, the more likely he’ll get exposed or susceptible to negative criticism. The one-and-done rule has indirectly impacted the way scouts view players that don’t take advantage of this early exit. Harrison Barnes is the biggest victim of this injustice. His intellect, once applauded, now has worked against him. Still, Barnes has had time to reflect since his Tar Heels got ousted by the Jayhawks in the tournament. He should recognize by now what his faults were and how he’ll be a better player as a result of this experience.

J. Cole – “Higher”
Come here, I’m ’bout to take you higher
We about to set this b*#! on fire
Pour a lil’ gas, spark up your lighter
You might not be the one but you the one I desire

This J. Cole initial verse in “Higher” personifies the potential behind drafting Andre Drummond. It’s no secret that big men always rise on draft night. On the surface, he clearly possesses the athleticism and upside that all general managers salivate over in a franchise center. If he played up to expectations at UConn, he would sit on top of everyone’s draft board, not Anthony Davis. The lust for him is real; it’s just a matter of which team has the balls to take a project and develop him to warrant the high selection.

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Stalley – “Lincoln Way Nights (Shop Remix)” (feat. Rick Ross)
There’s a huge divide amongst GMs about how they project Jared Sullinger. Likewise, this collaboration between an Ohioan in Stalley and South Beach’s Teflon don Rick Ross was just weird. These two cats are virtual polar opposites. And for Stalley to even consider doing a track on Miami is similar to the confusion NBA front offices have on whether Sullinger has the make-up of a safe and promising pick. He can easily be a marginal player like Stalley is a rapper, or evolve into an impact player like Ricky Rozay.

Meek Mill – “Big Dreams”
“I think Philly is a different breed from every other city…just the toughness,” Dion Waiters described his hometown in his draft diary. He also revealed that he’s listening to Meek Mill’s Dreamchasers 2 mixtape. The uniqueness these Philly cats share is what differentiates them from their peers. It is why people downloaded that mixtape more than two million times when it dropped. It is why there’s been talk of an early lottery promise for Waiters. It is why the intro to “Big Dreams” resonates to what’s unfolding: “You ever watch a dream manifest? It’s nothing like it.”

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