But even if 100 movies could be nominated for Best Picture, and 100 actors and actresses nominated for their performances as well, we’d still have people complaining that certain movies and people were being snubbed, because that’s how movie criticism works. We can’t simply let the Academy voters do their jobs, when it’s far easier and certainly more controversial to disagree and say that they’re awful at choosing the best films. They’re just people, after all, and they make the decisions because they know what they’re doing.
That said, the Academy is full of morons. There have been more egregious Oscar snubs in the decades leading up to Sunday’s big show than there have correct picks, and I picked the 10 worst Oscar snubs that I could think of right off the top of my head. I have to say, I’m pretty confident that these are the worst of all-time. But feel free to disagree or whatever.
The 71st Academy Awards, Best Actress (1998)
Best Actress Winner: Gwyneth Paltrow, Shakespeare in Love
Nominees: Cate Blanchett, Fernanda Montenegro, Meryl Streep, Emily Watson
The 71st Academy Awards ceremony is widely regarded as one of the worst in history, as many people believe that Shakespeare in Love did not deserve Best Picture and especially Best Actress. In my humble opinion, Paltrow wasn’t even the third-best actress in a movie in 1998, because she couldn’t hold a candle to…
Should Have Won: (Tie) Neve Campbell and Denise Richards, Wild Things
Let’s face it, everything leading up to this point and beyond was a workshop in classic theatre.
The 70th Academy Awards, Best Actor (1997)
Best Actor Winner: Jack Nicholson, As Good as it Gets
Nominees: Matt Damon, Robert Duvall, Peter Fonda, Dustin Hoffman
Aside from some punk kid named Matt Damon, the nominees for Best Actor in 1997 were an assortment of the usual suspects, and there’s no actual joy in just honoring the same old, same old. One of the problems with the Academy is that the voters don’t have any balls. They could have and should have proven me wrong with the correct Best Actor pick for an entertainment industry veteran…
Should Have Won: Buddy, Air Bud
The 62rd Academy Awards, Best Original Screenplay (1989)
Best Original Screenplay Winner: Dead Poets Society (Tom Schulman)
Nominees: Crimes and Misdemeanors (Woody Allen), Do the Right Thing (Spike Lee), Sex, Lies and Videotape (Steven Soderbergh), Crimes and Misdemeanors (Martin Landau)
None of these films, the winner included, actually told a great story. They were anchored by strong acting performances and they especially benefited from a weak year in film. But one movie not only had amazing acting and direction, but it also told a phenomenal story of crime, corruption, greed, abuse of power and, most importantly, brotherhood.
Should Have Won: Tango and Cash (Randy Feldman)
No one else in Hollywood could have written such and incredible closing scene as this:
The 68th Academy Awards, Best Actress (1995)
Best Actress Winner: Susan Sarandon, Dead Man Walking
Nominees: Elizabeth Shue, Sharon Stone, Meryl Streep, Emma Thompson
Another crop of serious roles that lacked any actual energy or emotion from the women who delivered the performances. Sure, the Academy took a chance by elevating Sharon Stone to a new tier in her career, as she had previously been stranded on Boobies Island, but these nominees showed the Academy’s incredible age bias. Meanwhile, a young show business veteran showed that she was ready to shed her once-innocent image and tackle a truly career-altering role.
Should Have Won: Elizabeth Berkley, Showgirls
Not to mention, of course, the pool scene that I can’t include here but can link to.
The 65th Academy Awards, Best Director (1992)
Best Director Winner: Clint Eastwood, Unforgiven
Nominees: Robert Altman, Martin Brest, James Ivory, Neil Jordan
Some people raised eyebrows over the idea of naming a Western the best movie of 1992, but it’s hard to argue the fact that Unforgiven is a fantastic movie. But was that all due to the direction of Clint Eastwood? I would argue that he was gifted with an incredible cast that helped make his job much easier. Unlike, say, a director who took two inexperienced actors and helped unleash their potential so well that they could never replicate their performances again.
Should Have Won: Randall Miller, Class Act
Not to mention that performance by Doug E. Doug. This might have been two robberies in one.