For The Love Of God, Bring Back The Oscar Host

Paul Raci Got An Oscar Nomination For ‘Sound Of Metal’ And He’s Ecstatic

Director Shaka King On Bringing ‘Judas And The Black Messiah’ To Life

We Spoke With Robin Wright About ‘Land’ — Her Directorial Debut — And It Was A Delight

When It Comes To Acting, Daniel Kaluuya Has No Fear

Jodie Foster On ‘The Mauritanian’ And If She Plans To Watch ‘Clarice’

LaKeith Stanfield On Finding Empathy In A ‘Reprehensible’ Character In ‘Judas And The Black Messiah’

Kingsley Ben-Adir On Playing Malcolm X In The Terrific ‘One Night In Miami’

Regina King On Her Brilliant Directorial Debut, ‘One Night In Miami…’

Paul Greengrass On How The News Of Today Inspired ‘News Of The World’

Inside The Making Of Pixar’s Trippy ‘Soul’ With Director Pete Docter, Screenwriter Kemp Powers, And Producer Dana Murray

Mads Mikkelsen Has Come To Drink Us Up And Charm Us All

George Clooney Is Back In ‘The Midnight Sky,’ But It Needs More George Clooney

Chadwick Boseman Left Us A Gift Of A Performance In ‘Ma Rainey’s Black Bottom’

Steve McQueen On His Most Personal Project To Date, ‘Small Axe,’ And Overcoming His Fears As A Filmmaker

David Fincher’s ‘Mank’ Is Gorgeous, Splendid Filmmaking, But Its Story Keeps Us At Arm’s Length

‘Borat 2’ Is Still Funny, But The Shock Of Open Racism In America Has Worn Off

Alex Gibney’s New Documentary On The Pandemic, ‘Totally Under Control,’ Might Make You Want To Scream