‘Give An Oscar To The Sandman!’ — The Case For Adam Sandler To Win An Oscar For His ‘Uncut Gems’ Performance

Bruce Springsteen’s Film ‘Western Stars’ Is An Intimate, Wonderful Gift

‘Joker’ Is The Perfect Movie For 2019, It Is Our Comeuppance

Rian Johnson On His Delightful Murder Mystery ‘Knives Out,’ And The Past And Future Of ‘Star Wars’

‘A Beautiful Day In The Neighborhood’ Is Less About Mister Rogers And More About You

‘Waves’ Is Fascinating, Often Brilliant, But Also Confoundingly Frustrating

Oscar-Nominated Short Film Director, Guy Nattiv, On The Academy’s Decision To Announce His Category During Commercials

It’s Time To Bring Back Streaking To The Oscars

‘Black Panther’ Composer Ludwig Göransson On Earning His First Oscar Nomination

Steve Carell On Playing The ‘Terrifying’ Donald Rumsfeld In ‘Vice’ And Why He Doesn’t Watch ‘The Office’

Golden Globe Snub Be Damned, Sam Elliott Is Still F-ing Awesome In ‘A Star Is Born’

If You Give It A Chance, ‘Spider-Man: Into The Spider-Verse’ Will Knock Your Socks Off

Viggo Mortensen Tells Us Why He Thinks ‘Green Book’ Is One Of The Best Stories Of The Year

Peter Farrelly Is Delighted To Be Sneaking Up On People Again With His Oscar-Buzzing Film, ‘Green Book’

Claire Foy Tells Us All The Reasons Why Lisbeth Salander Is Not James Bond

Luca Guadagnino Doesn’t Give A Sh*t About Your ‘Call Me By Your Name’ Sequel Title Ideas

Melissa McCarthy Likes It Better When Things Are Messy And Weird

Jonah Hill Tells Us All About The Process Of Directing His First Movie, The Raw and Unfiltered ‘Mid90s’