A Q&A with 'Community' Writer Megan Ganz

When I asked two comedy nerd friends of mine if they had any questions for Megan Ganz, a writer for “Community,” their responses were as follow: “She has an awesome job” and “How did she get the position?” To the former, I replied, “That’s not a question. What’s wrong with you?” To the latter, “I’ll ask.” In short, during season one of “Community,” she was a fan of the show; by season two, she was a writer (there were some steps in-between, too, but mostly, she’s super talented). Since getting the gig, Ganz, who previously worked as an editor of The Onion and a writer for “Important Things with Demetri Martin,” has penned three of the series best episodes, “Cooperative Calligraphy” (a.k.a. the Bottle Episode), “Intermediate Documentary Filmmaking,” and “Documentary Filmmaking: Redux.”

She’s also the scribe behind the upcoming “Law & Order” episode, which is just one of the many things we touched upon in a phone interview, including what the pitch process for the show is like, her favorite running gags, and how “Community” fans are the bestest fans in the entire world. Also, Alison Brie’s Santa dance may or may not have come up…

First off, congrats on the Comedy Central news.

Oh, thank you. Yeah, it was just announced today. That’s great.

Is this a good sign for the future of the show?

I think syndication’s always a good sign. It means that people are getting paid; it means it’s turning a profit. So, in just a very strict business sense, it’s a good sign, but I don’t know if it has anything to do with whether or not we’ll get renewed.

How sick are you of the renewal question, by the way?

I wish that I had more information. I totally understand people asking, and it’s hard because if I were watching the show as a fan, I would be the same way. Like, “When is it coming back? When will we know? We just wanna know.” But the closer you get to knowing that sort of stuff, the more you get to knowing it has to do with so many factors that it’s better not even to guess. It’s better to wait. Last year, I found out we got renewed right around St. Patrick’s Day, and Twitter knew like minutes after we knew, so it’ll just happen if it does. It’s like someone waving a magic wand.

It feels like “Community” is one of the first shows in TV history where the writers are nearly as active in the fan’s mind as the actors, or they at least have a very public persona. Do you think that comes from Dan Harmon? You’re all interacting with one another, everyone seems to know who you are.

Oh, is that true? Do you think so?

I think so.

I think we’re capturing a certain demographic, a very Internet savvy demographic, and that kind of demographic looks for things that the quote-unquote “average” viewer wouldn’t know about. So, you get a nerdy fanbase and they explore every avenue. They hound up on Twitter and they’re people who are really into the show. I don’t know. Do you feel it’s more than any other show?

Yeah, I think so. For instance, take the Daily Beast interview you did not that long ago with the ladies in the cast. I feel that with another, more traditional sitcom, they probably wouldn’t have asked one of the writers to participate.

Yeah, I was actually kind of surprised that they asked me, but it was kind of just a lady thing, so they were getting all different types of ladies. But that’s weird. I never thought about that before. I think we get a lot of feedback from the fans. We’re hearing a lot more about people’s impressions of the show than ever before. On other shows, it’s not like you can go to a website and search a hashtag, or you search for it in terms and you can literally see a timeline, moment by moment, of people reacting to the show. It’s like if you were sitting at a theater and overhearing people lean to the person next to them and saying something about it, which as a writer, I don’t like to be on stage, I don’t like to be reading my own jokes, because it makes me nervous, but I love to have them played for people and get to hear people’s reaction to them. That’s why you go into comedy. You want to make people laugh, you want to make people happy. So Twitter has been so amazing because we get to basically hear people talk about the show.

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Along the Twitter line, do you read recaps? One of them has over 30,000 comments. [Editor’s note: LET’S DESTROY THAT NUMBER, WG READERS. /runs out the door screaming //no one follows.]

I saw that! I don’t even know what people are talking about at that point.

I think I can probably guess, with that episode.

Alison Brie.

Yep.

Annie Mebane and Steve Basilone wrote that episode [“Regional Holiday Music”], and Annie and I wrote the lyrics for Alison’s “Santa Baby”-type song. And I remember being like, it’s Christmas for the commenters. Alison was so funny. When they did the first take of it, Dan [Harmon] told me that she did it one take, and she was so great, she was so perfect at it immediately, that she was like, “Do you want me to do another one?” And they were like, “I guess. You could, but we’re basically gonna use that first take that you did.” And she did one more and that was it. She so nailed that. It was great.

On behalf of the Internet, I thank you. The way I read the scene was that you were turning the table on the creeps like me, who ogle Alison.

I think it was supposed to function in two ways. Every character in that episode is being lured into the glee club by another character, and they use that person’s weakness. So, Pierce’s baby boomer nostalgia, they use that, and they use Shirley’s religion. For Jeff, what Annie is appealing to is his attraction to her infantile sort of nature. But that’s the same thing that sort of repulses him in a way, her youth. But obviously we’re sort of satirizing TV shows that do use women singing and dancing in provocative ways to lure attention, so that’s a very basic story point. There are songs like “Santa Baby” that show that men are interested in this sort of infantilized woman that’s kind of baby doll and dumb. And in the song, she’s getting dumber and dumber and crawling on the ground and trying to eat mistletoe because she doesn’t understand what it is, so it’s just a parody of those types of songs and also playing at the dynamic between Jeff and Annie. But I remember thinking as we were writing that, I’m sure they’re going to have a big reaction to this, the commenters, but I think that it was mostly those other things.

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