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No One Embodies Stagecoach In 2024 Better Than Post Malone
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‘Fallout’ Is A Freakishly Fun Take On The Apocalypse And Video Game Adaptation Genre
‘Shogun’s’ Hiroyuki Sanada Breaks Down The Show’s Surprising Finale
‘Hacks’ Is Back With An Even More Exhilarating, Sexier, And Still Comedically Authentic Season 3
Culture
will.i.am Launches FYI, The World’s First AI-Powered Messenger For Creative Collaboration
How Bail Bag Helps The Formerly Incarcerated Get Back On Their Feet
Advice From A Finance Pro For How To Survive (And Thrive) In This Economy
How will.i.am Developed ‘The Formula’ For The Future Of F1
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Benny Blanco Tells Us How Not To F*ck-Up Fried Chicken & Talks His Favorite Snacks
The Best Affordable Fast Food Cheeseburgers Under $5, Ranked
The UPROXX Spring 2024 Travel Hot List
SNX DLX: This Week’s Best Sneakers Feat. New Balance Kawhi IV White/True Red, Fenty x PUMA Creeper Phatty Earth Tone, Jordan 1 Artisanal Red, & More
Our Complete Travel Guide To Louisville’s Famed ‘Whiskey Row’
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Ranking Each Team After The First Week Of The 2024 NBA Playoffs
Jayden Daniels Explains Why He’s Ready To Make The Leap To The NFL
Reggie Miller Talks Playoffs, Paying It Forward, And Calling Games With Joy
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The Absolute Best Bourbons Under $125, Ranked
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We Ranked Salty, Tart Gose Beers To Drink This Spring
This Honey Hop From Our Upcoming Austin Takeover Is The Ideal Bourbon Cocktail For Warmer Weather
Video/Podcasts
Dave East Promises To Glass His ‘Fresh Pair,’ Then Talks Hoops, Nip, Dipset, Snoop, And More
Josh Levi Returns To ‘UPROXX Sessions’ With A Swaggering Performance Of ‘She Keeps Comin’
Feminist Synth Lab Is Making Music Accessible For The Marginalized
Paramore’s ‘Misery Business’ Gets Approval From Chlöe And Sexyy Red In The Return Of ‘React Like You Know’
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Alexandre Desplat
‘Interstellar’ named score of the year by international film music critics
February 19, 2015
by:
Uproxx
Alexandre Desplat on winning a Grammy and the lesson of masters like John Williams
February 12, 2015
by:
Gerard Kennedy
Alexandre Desplat and John Williams win Grammys for ‘Grand Budapest,’ ‘Book Thief’
February 8, 2015
by:
Uproxx
Film music critics nominate ‘Maleficent,’ ‘Dragon 2’ and ‘Hunger Games’ scores
February 5, 2015
by:
Uproxx
How the ticking of a clock helped editor William Goldenberg pace ‘The Imitation Game’
December 18, 2014
by:
Gerard Kennedy
Review: Angelina Jolie’s ‘Unbroken’ is beautifully made but oddly hollow
December 2, 2014
by:
Drew McWeeny
How computers generated Alexandre Desplat’s ‘Imitation Game’ score
November 24, 2014
by:
Matt Patches
The Trailer For Tim Burton’s ‘Big Eyes’ Contains No Depp Nor Bonham-Carter And Looks Great
September 19, 2014
by:
Matt Lieb
Oscar-nominated composer Alexandre Desplat to head Venice Film Festival jury
June 23, 2014
by:
Guy Lodge
Best and Worst of ‘Godzilla’: Monster Success or Monster Disappointment?
May 18, 2014
by:
Gregory Ellwood
and
Josh Lasser
‘Godzilla’ composer explains why the music had to be as big as the monster
May 15, 2014
by:
Uproxx
Review: Beautiful and badass, ‘Godzilla’ puts the awe back in awesome
May 11, 2014
by:
Drew McWeeny
Angelina Jolie’s ‘Unbroken’ is the Oscars 2015 player we thought it would be
March 25, 2014
by:
Gregory Ellwood
Who will win best score and best original song at the 2014 Oscars?
February 28, 2014
by:
Melinda Newman
Jill Scott’s ‘Happy,’ ‘Let it Go,’ ‘Gravity’ blow the roof off first Oscars concert
February 28, 2014
by:
Gregory Ellwood
Roundup: Mark Harris on a soured Oscar season
February 11, 2014
by:
Guy Lodge
Review: Wes Anderson’s delightful ‘Grand Budapest Hotel’ never outstays its welcome
February 6, 2014
by:
Guy Lodge
Alexandre Desplat talks ‘Philomena’ and a busy decade full of Stateside success
December 3, 2013
by:
Gerard Kennedy