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Talib Kweli & Gangsta Boo Talk Three 6 Mafia, Outkast, RTJ, ‘Hustle & Flow’
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Sundance 2015
‘On The Count Of Three’ Marks A Great Directorial Debut From Jerrod Carmichael And Features The Best Use Of Papa Roach Since ‘Silicon Valley’
February 3, 2021
by:
Vince Mancini
Exclusive: Get a leg up on your friends with the new ‘Finders Keepers’ poster
August 13, 2015
by:
Gregory Ellwood
Review: Bobcat Goldthwait’s Can’t-Miss ‘Call Me Lucky’ Is A Sincere Profile Of A Singular Figure
August 7, 2015
by:
Vince Mancini
Review: ‘Cop Car’ feels a little too Coen Brothers-lite and that’s not a good thing
August 3, 2015
by:
Gregory Ellwood
Guess I should have checked twitter before chatting with Jesse Eisenberg
July 27, 2015
by:
Gregory Ellwood
Exclusive: A dust storm won’t stop Nicole Kidman in new ‘Strangerland’ clip
July 1, 2015
by:
Gregory Ellwood
Adam Scott Explained Why He Had To Wear A Tiny Prosthetic Dong For ‘The Overnight’
June 17, 2015
by:
Stacey Ritzen
Thomas Mann knows it will be hard to play a teenager again after ‘Me and Earl’
June 8, 2015
by:
Gregory Ellwood
This is one seriously good-looking end of the world
June 3, 2015
by:
Drew McWeeny
‘The D-Train’ Dynamites The Bromance Comedy
May 8, 2015
by:
Vince Mancini
Meet Sin-Dee Rella and the cast of Sundance breakout ‘Tangerine’
April 30, 2015
by:
Gregory Ellwood
‘True Story’ Is A Masturbatory Faux Morality Tale Starring Jonah Hill And James Franco
April 24, 2015
by:
Vince Mancini
Sundance NEXT FEST is returning to Los Angeles this summer for third straight year
April 14, 2015
by:
Gregory Ellwood
Ezra Miller on playing The Flash: ‘I would do it for 40 years’
February 6, 2015
by:
Katie Hasty
Tig Notaro talks ‘Tig,’ falling in love on-screen and the joke she can’t crack
February 4, 2015
by:
Daniel Fienberg
Review: Political drama ‘Zipper’ becomes ‘Reefer Madness’ for sex addiction
February 3, 2015
by:
Daniel Fienberg
Sundance Reviews: ‘Results,’ ‘Nasty Baby,’ ‘Strangerland’ and more
February 2, 2015
by:
Gregory Ellwood
2015 Sundance Film Festival Award Winners
January 31, 2015
by:
Daniel Fienberg