Paul Thomas Anderson, best known for directing three awesome movies and Magnolia, will be reteaming with probably the best actor in Hollywood, Philip Seymour Hoffman.
Anderson has written an untitled period drama [tee hee! *makes queef sound with mouth* -Ed.] that is set up at Universal. Hoffman, who has played supporting roles in most of Anderson’s past films, would this time be the centerpiece. Hoffman will play “The Master,” as in “master of ceremonies,” a charismatic intellectual who hatches a faith-based organization that begins to catch on in America in 1952. The core is the relationship between The Master and Freddie, a twenty-something drifter who becomes the leader’s lieutenant. As the faith begins to gain a fervent following, Freddie finds himself questioning the belief system he has embraced, and his mentor.
Anderson’s treatment of religion was cynical in “There Will Be Blood.” Here, the scrutiny isn’t specifically directed toward faith-based movements like Scientology or Mormonism that are newcomers compared to established religions. Anderson explores the need to believe in a higher power, the choice of which to embrace, and the point at which a belief system graduates into a religion. [BFDMemo]
I thought the most insightful thing about Anderson’s cynical treatment of religion in his last movie was the way the priest got beat to death with a bowling pin. Suck on that one, Scopes monkey trial. I’m not so much anti-religion as I am pro-movie violence, and holy God did I squeal like a schoolgirl during that scene. I don’t think I’ve ever received so many horrified looks walking out of a theater, not even when Alexis Richards let me fingerblast her during Last King of Scotland. Man, that chick was a slut, even for runaway.