Jason Jones And Natalie Zea On Finding Delilah And The Art Of The Scramble On ‘The Detour’


The road never gets boring for the Parker family on TBS’ The Detour (with season four debuting Tuesday, June 18 at 10:30 pm EST) and, after speaking with series stars Jason Jones (who is also the co-creator and executive producer) and Natalie Zea, it’s pretty clear that the plan is for that road to go on for a long while. A challenge when you consider the unique premise of the show? Not to Jones, who seems confident in his ability to find new ways to keep the Parker family scrambling.

And why shouldn’t he be? Jones and The Detour have consistently found ways to gently pivot while keeping the show’s driving ethos intact and its aptitude for broad comedy sharp. This season, that means a globe-trotting quest for Nate and Robin Parker to find their daughter, Delilah, after she pulled off a smartly constructed plan to ditch her family and go it alone at the end of season three. Along the way, the Parkers fall… and fall, but are they learning something in the process? How about this, do they deserve to pay some consequences after giving their kids a life on the lam? We asked Jones and Zea that, about the impossibility of a happy ending for the show, and why they need to come back next season.

What was behind the decision to have Delilah break off from the family at the end of last season?

Jason Jones: You know, I think it was always a plan that I had. I wanted to do a season about that. I wasn’t sure when it was going to come, but that was on the table. It was originally going to be for both kids, and then sort of transformed into one kid.

Is part of that about making Nate and Robin face the consequences for some of their parental choices. There’s definitely some reflection of that in part of season four.

Jones: Yeah, if you put your child through enough stress they’re potentially, when they’re old enough, going to go, “Yeah I’m good, I don’t need this anymore, I’m out. You’re my parent, really, in name only, I don’t need you to do this, I can fuck up my own life on my own”

Natalie, what do you think about Robin reconciling her failings as a parent?

Natalie Zea: Robin’s failings as a parent? I don’t know about reconciling, but obviously, she’s realistic about her parenting and about the fuck-ups she’s made. But I think at the end of the day, she has to justify it by saying that she’s not all that bad. Realistically, she knows that there have been fuck-ups along the way, but I don’t know that there’s any kind of real reconciliation about the big one. She’s got a healthy dose of denial like we all do, when we fuck up as parents.

Jones: There’s the big point that no bad parent thinks they’re a bad parent.

Zea: Except for the really, really, bad ones. The really bad one’s kind of know it.

Jones: Sometimes they’re like “Yeah, yeah I’m in jail, but I’m still pretty good.”

Zea: “Other than that, I’ve done well”

Jones: Every parent searches desperately for the good that they do, they don’t really focus on the bad.

What can you say about the difference in how Robin and Nate approach the search for Delilah?

Zea: There is a moment, I think it’s in episode two and it’s something to the effect of Nate saying, “I’m just going to rush the stage and grab her and that’ll be that” and Robin says, “or we could just tell her how much we love her, we miss her, and talk to her like a human being.” I think that one of them, at all times, has to be the voice of reason and the other one doesn’t. Which is sort of how they work as a couple anyway. They kind of switch off, where one gets to be irrational.