But here’s the thing: The changes have worked for The Walking Dead, and the series has been able to evolve into a better series with each new showrunner. Darabont is what the show needed in the beginning to slowly (too slowly, perhaps) lay out the premise and introduce the characters, and after one disastrous half season spent almost entirely searching for a little girl, AMC handed it off to Mazzara, who layered in more walkers and picked up the pace, transforming The Walking Dead into a bloody, dark action-driven series. With the series’ most irksome characters — Lori and Andrea — finally killed off, AMC handed the reigns over to Scott Gimple, who wrote three of the best episodes in season three, “Hounded,” “Clear,” and “This Sorrowful Life,” which saw the exit of Merle Dixon.
Based on those three episodes, and the fourth season premiere, “30 Days without an Accident,” Gimple feels like the perfect happy medium between the more reflective Darabont and the faster pace of the Mazzara seasons. With the introduction of a series of new characters, plus an entirely new threat, it seemed necessary to slow it down, refocus on the characters, and build the newly populated universe, but Gimple does so without sacrificing the best part of the show: Zombie kills (and Greg Nicotero’s spectacular make-up effects). The season premiere was exactly the episode The Walking Dead needed right now. We can feel certain that the character deaths will keep coming, but with better written, more developed characters now that Gimple is the helm, you can be sure that their deaths are going to hurt even worse.
You’re Going to Have to Live with the Love — The fourth season opens several months after the events at the end of last season. The Woodbury citizens have successfully transitioned into the prison. Carol is running a school for the kids, which includes a subject on zombie survival skills. Hershel — who has an artificial leg now — is tending to the garden, and there are even farm animals inside the prison. Everyone seems to have a role. All things considered — there are thousands of undead people outside the prison gates, after all — prison life is pretty good.
But there is a sick pig, and that does not bode well.
While the Scowl’s Away, the Katana Will Play — It was nice to see Michonne — who actually has a few lines in this episode — do something besides scowl and swing her katana. She’s on horseback now, and has spent the time since the Governor left trying to track him. No luck yet, but she’s considering a solo trek to Macon to get her man.
Sorry Pookie — Carol and Daryl are still in the sweet, flirtatious stage of their relationship; in fact, it almost seems like they’ve driven straight into the adorable friend-zone. Meanwhile, the numbers of walkers approaching the fence is approaching an unmanageable level. There are prison citizens whose job it is now to take shifts killing walkers outside the fence, to keep them from achieving numbers big enough, presumably, to break through or climb over the fence. This seems like table setting for later in the season.
That’s Not Living, That’s Breathing — Glenn and Maggie are still madly in love, but their relationship suffers a small threat when Maggie has a pregnancy scare. It turns out to be nothing, but it encourages Maggie to push past the fear, and attempt to try to find more to life than being scared. She wants to live, not just stay alive. Again, that seems to be more table setting: Establishing the community’s desire to move past daily survival, and try to extract meaning out of their lives, to enjoy the moment, not just live for the next one.
Love: Apocalypse Style — Two new romantic relationships blossomed in the intervening months. Tyreese has found himself a girlfriend, Karen (Melissa Ponzio), while Beth is hooking up with Zach (Kyle Gallner), who is a fairly well known actor for a guy who only survives one episode, because …