This Artist Is Shifting The Status Quo To Magnify Historically Marginalized Voices

Alexandra Bell/Ja

Art has always been a mode of survival for Ja’Tovia Gary. As a child, she says, acting saved her life. And though she’s moved on to other ways of expressing herself, art continues to be a great source of healing for her. She’s an award-winning, documentary filmmaker known for her intimate portrayal of marginalized voices. As a filmmaker, she shares untold stories from her perspective as a young, black artist, promotes understanding, and faces trauma with a courageous vulnerability that feels vital in today’s world.

It’s no surprise that Gary’s work is beginning to get attention. In 2017, she was named one of the “25 New Faces In Independent Film” by Filmmaker Magazine. And her short, An Ecstatic Experience is currently on display at the Whitney Museum of American Art in New York. The film is a mixture of archival footage juxtaposed with modern protests and it’s both deeply moving and painfully thought-provoking. History is something that is fascinating for Gary and a key component of her work — as she confronts past trauma as a way to move forward in the present.

“I’m not just interested in futurity,” Gary tells me. “I’m interested in the things that we’ve left behind.”

There are stories and voices that have been left out of the mainstream for a long time. And, in sharing these historically marginalized points of views and experiences, Gary hopes to shift the media status quo from being centered around one particular American voice (often white, male, and wealthy) to a more equitable chorus of voices. Because there’s power in telling your own story. It’s why Gary is working on a documentary right now in which she explores the neglect, addiction, and violence threaded through her own lineage.

“I think it’s so incredibly important to shine a light on these family circumstances, situations, and patterns so that we can begin to remake ourselves,” she says. “That’s how we begin to work towards a space of healing. To me, that’s what my film is about. A lot of people are like “Oh, you’re really fixated on trauma.” And I say, “No, I’m really fixated on healing.”

Ja’Tovia Gary’s love of performing and theatricality started at an early age, growing up in the south. She was raised in the traditions of the southern Pentecostal church, a force she found oppressive in some ways, but also, formative and beautiful.

“It was a hub of performativity,” she says. “I was steeped in this notion of performance, of being able to present yourself in a way where you can enrapture someone’s senses.”